The Illustrated Story of Copyright
Edward Samuels
INDEX
[This
is the complete index, exactly as it appeared in the book.
Eventually,
I hope to be able to hyperlink all of this.]
[277]
ABC, 225
Abend, Sheldon, 217
Abie’s Irish Rose (Nichols), 153-54, 153,
189
ABKCO Music, Inc. v. Harrisongs Music, Ltd., 162-65, 163
access to copyrighted works, 119
in substantial similarity, 165-66
Accolade, Inc., 200-202
Actors Equity Association, 40
actual damages, 246
Acuff-Rose, 200
Adams, Ansel, 138, 159-60, 160
Addison-Wesley Publishing Co., Inc. v. New
York University, 26-27, 177-78, 257n
Adobe Photoshop, 92, 95
Advance Research Projects Agency (ARPANet), 101-2
advertising, 141-42:
Internet and, 103
right of publicity in, 227
substantial similarity in, 157-59, 161
on Web sites, 117
“After the Ball,” 32
agents, 107
Air Pirates Funnies, 192, 195-99, 198
Alden-Rochelle Inc. v. ASCAP, 183, 263n
Alfred A. Knopf, 147-49
Alfred Bell & Co., 134
Alfred Bell & Co. v. Catalda Fine Arts, Inc., 134, 261n
Alt, Howard, 161-62, 162
Alt v. Morello, 161-62, 162
Alva Studios, Inc. v. Winninger, 142-43, 143, 262n
Amazon.com, 109
American Association of University Professors, 26
American Dictionary of the English Language (Webster), 15
American Geophysical Union v. Texaco, Inc.,
28-29, 258n
American Library Association, 22
American Marconi Company, 62
American Mutoscope and Biograph Company, 57, 60
American Society of Composers, Authors and Publishers (ASCAP), 40-43, 44, 181, 182-83
American Spelling Book (Webster), 15
America Online, 102, 103, 109
Amistad, 152-53
Ammirati & Puris, 161, 161
analog technology:
sound recordings and, 45-45, 47
television and, 71, 73
Anderson, John, 139
Andreessen, Marc, 107, 109
Animaniacs, 194
Annual Authorization Service (AAS), 29, 30
[278]
anti-dilution laws, 222
antitrust law, 222
Apollo Company, 34, 35
Apple Computer, Inc., 83-88, 83
Microsoft’s licensing agreement with, 86-88
Apple Computer, Inc. v. Franklin Computer Corp., 83-85, 260n
Apple Computer, Inc. v. Microsoft Corp., 86-66,
260n
Apple Corps. Ltd. v. Leber, 226, 266n
Apple II, 83, 83, 85, 86
applets, 108
architectural works, 146, 186, 245
arithmetic unit, 76
ARPANet (Advanced Research Projects Agency), 101-02
Articles of Confederation, 15, 18, 131, 139
artists, Internet and, 110
art reproductions, 133-36
ASCAP (American Society of Composers, Authors and Publishers), 40-42, 44, 181, 182-83
As Clean As They Wanna Be (2 Live Crew), 200
As Dirty As They Wanna Be (2 Live Crew), 200
Asimov, Isaac, 100
Association Littéraire et Artistique Internationale, 234
Association of Research Libraries, 22
Association to Protect the Rights of Authors, 234
Asther, Nils, 154
Astor, Mary, 147
AT&T, 129
Atari, 86
Atari v. North American Philips Consumer Electronics Corp., 148, 262n
Atkinson, Brooks, 153, 154
attorneys’ fees, 175-76, 246
attribution, right of, 169
Audio Home Recording Act (1992), 49-51, 69-70
“Audion” vacuum tube, 39
audio rental stores, 47-48
audiotapes, 44, 45, 48, 144
see also digital audiotape recorders
authentication of users, 118
authors, British, 238-39, 242
manufacturing clause and, 236-37
unprotected under U.S. copyright law, 230-34, 235
authors, U.S., 230-32, 234, 235-36, 239, 242, 244
authorship:
concept of, 12
joint, 214
originality and, 128
under Statute of Anne, 12-13
Autobiography, An (Adams), 138
Autolight, 192, 193, 196
Baldwin, Neil, 33
Bamberger Department Store, 43
bandwidth, 104
Banks, Betsy, 41
Barber, Benjamin, 250
Barnes, James, 231
Barnes, Margaret Ayer, 154
bars, 181
Barton, E.M., 129
Basic, 77-78, 86
Basic Books, Inc. v. Kinko’s Graphics Corp., 27-28, 257n
Batchelor, Charles, 33
BBC Television, 225
Beatlemania, 226
Beatles, 37, 38, 39, 40-41, 164, 170, 226
Bee Gees, 165, 165
Bell, Alexander Graham, 99-100, 100, 129
Bell Company, 100, 101, 129
Benesh movement notation, 145
Ben-Hur (movie), 57-60
Ben-Hur (play), 58-59, 59
Ben-Hur; A Tale of the Christ (Wallace), 57-59
Benny, Jack, 192, 196
Benny v. Loew’s Inc., 192, 193, 196
Benson, Gary, 80
Bergman, Ingrid, 196, 220
Berlin, Irving, 42
Berlin v. E.C. Publications, Inc., 192, 197-99, 198, 264n
Berne Convention, 116, 234, 237, 241-42, 248
architectural works protected under, 146, 245
[279]
Berne Convention (continued)
back door to, 237-38, 243
computer programs under, 97
copyright formalities under, 209, 238-40, 242
duration of copyright under, 206, 238, 245
moral rights under, 169, 240, 245
Berne Implementation Act (1988), 241-42, 251
Berners-Lee, Tim, 107, 107
Betamax, 49, 67-69, 71, 200
Betamax case, see Sony Corp. of America v.
Universal City Studios, Inc.
Bettmann Archives, 135
Bezos, Jeff, 109
Billboard, 40
BITNET, 101-2
Black Rainbow (Zambito), 152
Bleistein v. Donaldson Lithographing Co., 128, 141-42, 261n, 262n
blind persons, 182
Blockbuster Video, 72
Blue Boy, The (Gainsborough), 134-35, 134
blueprints, 146
BMI, 43, 183
boat hull designs, 146-47, 186
Bogart, Humphrey, 147, 149, 220
Bolling, Ruben, 207
books, 11-30, 131
foreign editions of, 236-37
international copyright and, 230-43
printing press and, 10, 11-17
substantial similarity in, 152-55
Boone, Richard, 228
Boorstin, Daniel J., 12, 16, 233
Booth, Shirley, 227
Bootleg (Heylin), 171
bootlegging, 170, 171, 246
see also piracy
Bordman, Gerald, 235
’bots, 107
Boyd, William, 149, 166
Boyer, Charles, 196
Brady, Mathew, 33, 58, 136, 137, 208, 232
Bridgeman Art, Inc., 134-35, 135
Bridgeman Art, Inc. v. Corel, Inc., 134-35, 261n
Bright Tunes Music Corp. v. Harrisongs Music, Ltd., 162-65, 163, 164, 263n
British authors, see authors, British
broadcast television, 61-63, 62
broadcast transmissions, nonsubscription, 52-53
Brook, Jim, 216
Brown, James, 166
Brown, Ronald, 112
Buchwald, Art, 226
Buchwald v. Paramount Pictures Corp., 226, 265n
Burkan, Nathan, 37, 42, 44
Burroughs v. Metro-Goldwyn-Mayer, Inc., 148, 262n
Burrow-Giles Lithographic Co., 137
Burrow-Giles Lithographic Co. v. Sarony, 137-39, 137, 261n
business photocopying, 20, 27-29
Business Software Alliance (BSA), 178
C (programming language), 77
cable television, 63-66, 73
community antenna and, 63, 64
compulsory license for, 66, 180, 184
distant signals and, 64-65
premium channels on, 63, 66-67, 71-72
caches, 116-18
Cadillac, 222
Caesar, Sid, 192, 193-94, 196
California, University of:
at Los Angeles (UCLA), 101
at Santa Barbara, 101
Campbell v. Acuff-Rose Music, Inc., 199, 200 264n
Canada, 237
Carey, Mathew, 240
Carlson, Chester F., 18, 19
Carroll, Andrew, 220
Carson, Johnny, 69
Carte, Richard D’Oyly, 232-33
Carte v. Duff, 233-34, 266n
Carte v. Evans, 233-34, 266n
cartoon characters, 192, 195-99, 198, 207
Caruso, Enrico, 35, 36
Casablanca, 220
Case, Steve, 109
Cassidy, Hopalong (char.), 149, 166
casual photocopying, 29-30
Catalda Fine Arts, Inc., 134
Cave Dwellers, The (Saroyan), 218
Caxton, William, 11, 14
[280]
CBS, 149, 190, 228
CCC (Copyright Clearance Center), 28-29, 178-79
CD-ROMs, 75, 93, 94, 114, 130
CDs (compact disks), 44-46, 47, 48, 49-50, 51, 53, 54-55, 92
censorship:
copyright and, 16, 248
Internet and, 3, 108
Centennial Exposition of 1876, 129
Centerfield (Fogerty), 176
central processing unit (CPU), 74-75
CERN (European Particle Physics Laboratory), 107
Cervantes, Miguel de, 14
Chaplin, Charlie, 218
Chaplin, Oona O’Neill, 218
characters, 147-50, 228
cartoons, 192, 195-99, 198, 207
licensing of, 269
charitable purposes, 182
Charvat, William, 234, 242
Chase-Riboud, Barbara, 152-53
Chase-Riboud v. Dreamworks, 152-53, 262n
chat rooms, 102-3, 104
Chicago Graphic, 237
Chiffons, 162
China, People’s Republic of, 248
choreographic works, 144-45, 168
Chronicle, The 20 Greatest Hits (Creedence Clearwater Revival), 176
civil law, 247-48
Civil War, 136, 137
Clark, James, 107
Clark, William, 131, 215
Clay, Henry, 137, 231
Clemens, Samuel, see Twain, Mark
Clift, Montgomery, 196
Clinton, Bill, 109, 110
Close Encounters of the Third Kind, 152
clothing design, 187
Coca, Imogene, 196
Coca-Cola, 223
Cohens and the Kellys, The, 153-54, 153, 189
College Savings Bank v. Florida Prepaid Postsecondary Educ. Expense Bd., 265n
Collins, Jeremy Blake, 109
Columbia Graphophone Co., 35
Columbia Pictures Corp. v. National Broadcasting Co., 192, 193-94, 196, 264n
Coming to America, 226
Commerce Department, U.S., 124
common law copyright, 222-23
Community for Creative Non-Violence (CCNV), 214
Community for Creative Non-Violence v. Reid, 214, 265n
compact disks (CDs), 44-46, 47, 48, 49-50, 51, 53, 54-55, 92
Compco Corp., 227
Compco Corp. v. Day-Brite Lighting, Inc., 227, 266n
compiler, 77
composers, 31-44, 45
Internet and, 110
compulsory licenses, 37-39, 38-39, 40-41, 53, 184-85
for cable television, 66, 180, 184
for digital audio home recorders, 49-50, 185
for digital audio transmissions, 51-54, 169, 185
for jukeboxes, 184
for noncommercial television and radio, 184
for phonorecords, 66, 180, 184
for satellite television systems, 185
VCRs and, 68
Computer Associates International, Inc. v. Altai, Inc., 88-89, 260n
computer chips, special protection for, 89-92
computer programs, 76-79, 144, 244, 246, 251
archival and adaptive copies of, 88-89, 91
copyright protection of, 80, 89, 118-19
copyright amendments and, 89-92
copyright cases on, 83-88
copyright protection of, 80-88, 97, 247-48
patents and, 80-81
piracy of, 173, 178, 241
rental of, 92-93, 168, 244
site licenses for, 178, 179
trade secret law and, 80
[281]
computers, 74-97
compatibility of, 83-85
hardware for, 74-76
workings of, 74-79, 74, 75
see also computer programs
Computer Software Rental Amendment (1990), 92-93
Congress, U.S., 4, 97, 139, 199, 227, 234, 248, 250
First, 14-15, 17, 251
home videotaping and, 68-69
Internet and, 111-12
petitioned for copyright protection by British authors, 231-32
sound recordings and, 46-47, 229
see also House of Representatives, U.S.; Senate, U.S.; specific acts and amendments
Connecticut, 18
Constitution, U.S., 15, 84, 139, 204, 251
First Amendment to, 16, 248
on writings, 13-14, 137
contracts, 225-26
contributory copyright infringement, 111, 177
contributory liability of on-line service providers, 115-17
CONTU (National Commission on New Technological Uses of Copyright Works), 24-25, 82-83, 85, 91
Cooper, James Fenimore, 231, 234
copying, 151, 167
copyright:
common law, 222-23
duration of, 119, 183, 205-07, 229, 238, 240, 245, 250
exclusive rights of, 14, 123, 146, 166-71
limitations on, 6, 180-204
remedies under, 171-79
rights granted in, 151-79
technology and, 3-5, 9-124
termination of, 216-29, 229
works protected under, 131-50
work vs. physical object in, 212-13
see also specific topics
copyrightability, 190
Copyright Act of 1790, 14-17, 30, 131-33, 167-68, 172, 205, 230-32, 236
Copyright Act of 1909, 55, 66, 135-36, 142, 168, 173, 174, 184, 205-06
Copyright Act of 1976, 91, 241-42, 245
art reproductions under, 136
cable television under, 65-66, 184
choreographic works under, 145
compulsory license under, 38-39, 66
computer programs under, 81-82, 84-85, 89, 92-93, 144
Conference Report on, 127-28
duration under, 206, 208, 245
fair use under, 192
formalities under, 209
infringement under, 173, 177
literary works under, 131
music and sound recordings under, 38-39
photocopying under, 23-24, 25-26, 27, 29, 114
property rights under, 212-13
public display under, 169
radio performances under, 182
section 102 of, 84-85
section 106 of, 89
section 107 of, 25, 27, 29
section 108 of, 23-24, 25-26, 114
section 109 of, 92-93
state law and, 229
termination in, 217
copyright amendments:
of 1802, 133, 137, 172
of 1819, 172-73
of 1831, 136, 175, 205
of 1856, 59, 61, 172, 205
of 1865, 61, 136
of 1870, 133, 140, 168, 172
of 1891, 136, 140, 234-38, 242
of 1895, 172
of 1897, 173, 181
of 1912, 61, 143
of 1964, 144
of 1971, 55
of 1978, 222-23, 225
of 1980, 72, 76, 88-89
of 1984, 55
of 1988, 177, 209
of 1990, 92-93
of 1992, 55
of 1994, 170, 171, 223
of 1995, 169
[282]
copyright amendments (continued)
of 1999, 214
see also specific acts and amendments
Copyright Clearance Center (CCC), 28-29, 178-79
copyright management information, 112-15, 124, 170-71
Copyright Office, 144, 177, 208, 210-11, 211, 212-13
copyright protection systems, 112-15, 124, 170
and computer software, 80, 89, 118-19
for VCRs, 177-78
for videotapes, 114-15; see also macrovision
Corbis, Inc., 135
Corel, Inc., 134-35
Cornell, Katharine, 154
corporations, as copyright owners, 213
Cosmos (Sagan), 12-13
Cosmo’s Factory (Creedence Clearwater Revival), 176
costs of lawsuit, 175-76
Courier Lithographing Co., 141-42, 141
Court of Claims, 22-23, 30
Cowie, Alexander, 139
CPU (central processing unit, 74-75
Crawford, Joan, 154, 154, 174
Creative America, 250-51, 267n
Creedence Clearwater Revival, 175, 176
criminal liability, 173-74
Csida, Joseph and June Bundy, 140, 258n
Daly, Augustin, 139
Daly v. Palmer, 59-60, 259n
damages, 176
actual, 246
statutory, 177, 246
dance, 144-45, 168
“Dardanella,” 163-64, 163, 165
databases, 188
Davis, James, 22
Day-Brite Lighting Company, 227
DeCosta, Victor, 228
DeCosta v. Columbia Broadcasting System, Inc., 228, 266n
Dees, William, 200
defamation, 226
Defense Department, U.S., 101-2
de Forest, Lee, 39-40, 41
Demetriades, Chris, 146
Demetriades v. Kaufmann, 146, 146, 262n
DeMille, Cecil B., 181
deposit requirement, 131, 210-11, 212, 213, 236, 237, 238
Depression, Great, 40, 62, 63, 238
derivative works, 151, 168, 217, 251
World Wide Web links as, 123
design patent, 185, 219
Detective Comics, Inc. v. Bruns Publishing, Inc., 148, 262n
Diamond Multimedia Systems, 50-51
Dickens, Charles, 232, 233, 234, 238
Dickson, W.K.L., 60
Diddley, Bo, 166
Digimarc, 113
digital audiotape recorders, 49-50, 185
digital audio transmissions, 51-54, 169, 185
digital cameras, 93
Digital Millennium Copyright Act (1998), 25, 54, 55, 71-72, 109-20, 123-24, 245, 246, 251
boat hull provision of, 147
copy protection under, 170, 177-78
copyright management information under, 170-71
on-line service providers and, 177, 178
Digital Performance Right in Sound Recordings Act (1995), 52-54, 52-53, 55
digital “signatures,” 113
digital technology, television and, 72, 73
digital “watermarking, 113, 113
Dillinger, John, 190
Dillinger Dossier, The (Nash), 190
Dime Detective, 217
Dior, Christian, 187
discretionary remedies, 172, 176-77
Dishonored Lady, 154-55, 154
distribution, 151, 167-68
Donaldson Lithographing Co., 141
Don Quixote (Cervantes), 14
DOS 86-87
Douglas, William O., 80
“Do You Want to Dance?,” 227
drama, 139-40, 144, 173
public performance of, 168, 181
Drawing Hands (Escher), 247
[283]
drawings, 140-43
Dr. Seuss Enters., LP v. Penguin Books USA, Inc., 193, 195, 264n
duration of copyright, 119, 183, 205-07, 229, 238, 240, 245
Eastman, George, 56, 138, 139
Echo of Lions (Chase-Riboud), 152-53
Edison, Thomas, 32-33, 33 56, 57, 60, 61
Edison Licensee Group, 57
educational institutions, nonprofit performances by, 182
educational photocopying, 20, 25-27, 200
Edward, Gus, 32
Elder, Bill, 198
Electronic Frontier Foundation, 111
Eleventh Amendment, 216
Ellsworth, William W., 15
Elsmere Music, Inc. v. National Broadcasting Co., 192, 264n
e-mail, 104-5, 105, 106, 116
digital files attached to, 105
mailing lists on, 104-5
Emerson, Ralph Waldo, 231
encoding, 170
encryption, 110, 112
England:
copyright law in, 11-14, 16, 135, 171-72, 205, 248
international copyright in, 231, 232
see also authors, British
engravings, 134-35, 141
entry points, 84
equity, fair use in, 193
Erlanger, Abraham, 58-59
Escher, M.C., 247, 247
E.T. The Extra-Terrestrial, 152
European Particle Physics Laboratory (CERN), 107
European Union, 188
Evans, Roy, 251
Eventide (Taylor), 145
exclusive rights, 14, 123, 146, 166-71
extension of copyright term, 183, 208, 250
fact-expression distinction, 161, 187-88, 248
Factors Etc., Inc. v. Pro Arts, Inc., 226, 266n
Fairness in Music Licensing Act (1998), 183, 207
fair use, 29, 30, 119, 190-92
copyright and educational, 25-26
as equitable doctrine, 193
in Ford memoirs case, 155, 204
parody as, 164, 192-99
in photocopying, 20, 21-23
and public policy, 199-204
VCRs and, 67-68
Faraday, Michael, 98
Fast Forward: Hollywood, the Japanese, and the VCR Wars (Lardner), 71
FBI warnings, 173
Federal Communications Commission, 72
Federal Hall, 17
Federalist Papers, The, 14
federal laws, state laws preempted by, 227-29
Feist Publications, Inc. v. Rural Telephone Service Co., 129-30, 131, 187-88, 261n
Field, Cyrus, 99
File Transfer Protocol (FTP), 106, 107
Filmvideo Releasing Corp. v. Hastings, 149, 262n
Filo, David, 109, 110
fine arts standard, 140-43
First Amendment, 16, 248
first sale doctrine, 48, 92, 167-68, 169, 180
audio exception to, 69
computer software and, 92-93
video rentals and, 69-70, 71
“First Time I Saw Maris, The,” 192, 197
First Trust Co. of Saint Paul v. Minnesota Historical Society, 215, 265n
fixation, 127, 170, 190, 208-11, 222-23, 246
fixed fines, 172
Fleming, George, 61
Florida Prepaid Postsecondary Educ. Expense Bd. v. College Savings Bank, 265n
Fogerty, John, 175-76, 176
Fogerty v. Fantasy, Inc., 175-76, 176, 263n