Edward Samuels

INDEX

 

[This is the complete index, exactly as it appeared in the book.
Eventually, I hope to be able to hyperlink all of this.]

 

Return to Contents

 

[277] Page numbers in italics refer to illustrations.

 

ABC, 225

Abend, Sheldon, 217

Abie’s Irish Rose  (Nichols), 153-54, 153, 189

ABKCO Music, Inc. v. Harrisongs Music, Ltd., 162-65, 163

access to copyrighted works, 119

in substantial similarity, 165-66

Accolade, Inc., 200-202

Actors Equity Association, 40

actual damages, 246

Acuff-Rose, 200

Adams, Ansel, 138, 159-60, 160

Addison-Wesley Publishing Co., Inc. v. New York University, 26-27, 177-78, 257n

Adobe Photoshop, 92, 95

Advance Research Projects Agency (ARPANet), 101-2

advertising, 141-42:

            Internet and, 103

            right of publicity in, 227

            substantial similarity in, 157-59, 161

            on Web sites, 117

“After the Ball,” 32

agents, 107

Air Pirates Funnies, 192, 195-99, 198

Alden-Rochelle Inc. v. ASCAP, 183, 263n

Alfred A. Knopf, 147-49

Alfred Bell & Co., 134

Alfred Bell & Co. v. Catalda Fine Arts, Inc., 134, 261n

Alt, Howard, 161-62, 162

Alt v. Morello, 161-62, 162

Alva Studios, Inc. v. Winninger, 142-43, 143, 262n

Amazon.com, 109

American Association of University Professors, 26

American Dictionary of the English Language  (Webster), 15

American Geophysical Union v. Texaco, Inc., 28-29, 258n

American Law Institute, 215-16

American Library Association, 22

American Marconi Company, 62

American Mutoscope and Biograph Company, 57, 60

American Society of Composers, Authors and Publishers (ASCAP), 40-43, 44, 181, 182-83

American Spelling Book  (Webster), 15

America Online, 102, 103, 109

Amistad, 152-53

Ammirati & Puris, 161, 161

analog technology:

            sound recordings and, 45-45, 47

            television and, 71, 73

Anderson, John, 139

Andreessen, Marc, 107, 109

Animaniacs, 194

Annual Authorization Service (AAS), 29, 30

[278]

anti-dilution laws, 222

antitrust law, 222

Apollo Company, 34, 35

Apple Computer, Inc., 83-88, 83

            Microsoft’s licensing agreement with, 86-88

Apple Computer, Inc. v. Franklin Computer Corp., 83-85, 260n

Apple Computer, Inc. v. Microsoft Corp., 86-66, 260n

Apple Corps. Ltd. v. Leber, 226, 266n

Apple II, 83, 83, 85, 86

applets, 108

architectural works, 146, 186, 245

arithmetic unit, 76

ARPANet (Advanced Research Projects Agency), 101-02

Articles of Confederation, 15, 18, 131, 139

artists, Internet and, 110

art reproductions, 133-36

ASCAP (American Society of Composers, Authors and Publishers), 40-42, 44, 181, 182-83

As Clean As They Wanna Be  (2 Live Crew), 200

As Dirty As They Wanna Be  (2 Live Crew), 200

Asimov, Isaac, 100

Association Littéraire et Artistique Internationale, 234

Association of Research Libraries, 22

Association to Protect the Rights of Authors, 234

Asther, Nils, 154

Astor, Mary, 147

AT&T, 129

Atari, 86

Atari v. North American Philips Consumer Electronics Corp., 148, 262n

Atkinson, Brooks, 153, 154

attorneys’ fees, 175-76, 246

attribution, right of, 169

Audio Home Recording Act (1992), 49-51, 69-70

“Audion” vacuum tube, 39

audio rental stores, 47-48

audiotapes, 44, 45, 48, 144

            see also  digital audiotape recorders

authentication of users, 118

authors, British, 238-39, 242

            manufacturing clause and, 236-37

            unprotected under U.S. copyright law, 230-34, 235

authors, U.S., 230-32, 234, 235-36, 239, 242, 244

authorship:

            concept of, 12

            joint, 214

            originality and, 128

            under Statute of Anne, 12-13

Autobiography, An  (Adams), 138

Autolight, 192, 193, 196

 

Baldwin, Neil, 33

Bamberger Department Store, 43

bandwidth, 104

Banks, Betsy, 41

Barber, Benjamin, 250

Barnes, James, 231

Barnes, Margaret Ayer, 154

bars, 181

Barton, E.M., 129

Basic, 77-78, 86

Basic Books, Inc. v. Kinko’s Graphics Corp., 27-28, 257n

Batchelor, Charles, 33

BBC Television, 225

Beatlemania, 226

Beatles, 37, 38, 39, 40-41, 164, 170, 226

Bee Gees, 165, 165

Bell, Alexander Graham, 99-100, 100, 129

Bell Company, 100, 101, 129

Benesh movement notation, 145

Ben-Hur  (movie), 57-60

Ben-Hur  (play), 58-59, 59

Ben-Hur; A Tale of the Christ  (Wallace), 57-59

Benny, Jack, 192, 196

Benny v. Loew’s Inc.,  192, 193, 196

Benson, Gary, 80

Bergman, Ingrid, 196, 220

Berlin, Irving, 42

Berlin v. E.C. Publications, Inc.,  192, 197-99, 198, 264n

Berne Convention, 116, 234, 237, 241-42, 248

            architectural works protected under, 146, 245

[279]

Berne Convention (continued)

            back door to, 237-38, 243

            computer programs under, 97

            copyright formalities under, 209, 238-40, 242

            duration of copyright under, 206, 238, 245

            moral rights under, 169, 240, 245

Berne Implementation Act (1988), 241-42, 251

Berners-Lee, Tim, 107, 107

Betamax, 49, 67-69, 71, 200

Betamax case, see Sony Corp. of America v. Universal City Studios, Inc.

Bettmann Archives, 135

Bezos, Jeff, 109

Billboard, 40

BITNET, 101-2

Black Rainbow  (Zambito), 152

Bleistein v. Donaldson Lithographing Co., 128, 141-42, 261n, 262n

blind persons, 182

Blockbuster Video, 72

Blue Boy, The  (Gainsborough), 134-35, 134

blueprints, 146

BMI, 43, 183

boat hull designs, 146-47, 186

Bogart, Humphrey, 147, 149, 220

Bolling, Ruben, 207

books, 11-30, 131

            foreign editions of, 236-37

            international copyright and, 230-43

            printing press and, 10, 11-17

            substantial similarity in, 152-55

Boone, Richard, 228

Boorstin, Daniel J., 12, 16, 233

Booth, Shirley, 227

Bootleg  (Heylin), 171

bootlegging, 170, 171, 246

            see also  piracy

Bordman, Gerald, 235

’bots, 107

Boyd, William, 149, 166

Boyer, Charles, 196

Brady, Mathew, 33, 58, 136, 137, 208, 232

Bridgeman Art, Inc., 134-35, 135

Bridgeman Art, Inc. v. Corel, Inc., 134-35, 261n

Bright Tunes Music Corp. v. Harrisongs Music, Ltd.,  162-65, 163, 164, 263n

British authors, see  authors, British

broadcast television, 61-63, 62

broadcast transmissions, nonsubscription, 52-53

Brook, Jim, 216

Brown, James, 166

Brown, Ronald, 112

Buchwald, Art, 226

Buchwald v. Paramount Pictures Corp.,  226, 265n

Burkan, Nathan, 37, 42, 44

Burroughs v. Metro-Goldwyn-Mayer, Inc., 148, 262n

Burrow-Giles Lithographic Co., 137

Burrow-Giles Lithographic Co. v. Sarony, 137-39, 137, 261n

business photocopying, 20, 27-29

Business Software Alliance (BSA), 178

 

C (programming language), 77

cable television, 63-66, 73

            community antenna and, 63, 64

            compulsory license for, 66, 180, 184

            distant signals and, 64-65

            premium channels on, 63, 66-67, 71-72

caches, 116-18

Cadillac, 222

Caesar, Sid, 192, 193-94, 196

California, University of:

            at Los Angeles (UCLA), 101

            at Santa Barbara, 101

Campbell v. Acuff-Rose Music, Inc., 199, 200 264n

Canada, 237

Carey, Mathew, 240

Carlson, Chester F., 18, 19

Carroll, Andrew, 220

Carson, Johnny, 69

Carte, Richard D’Oyly, 232-33

Carte v. Duff, 233-34, 266n

Carte v. Evans, 233-34, 266n

cartoon characters, 192, 195-99, 198, 207

Caruso, Enrico, 35, 36

Casablanca,  220

Case, Steve, 109

Cassidy, Hopalong (char.), 149, 166

casual photocopying, 29-30

Catalda Fine Arts, Inc., 134

Cave Dwellers, The  (Saroyan), 218

Caxton, William, 11, 14

[280]

CBS, 149, 190, 228

CCC (Copyright Clearance Center), 28-29, 178-79

CD-ROMs, 75, 93, 94, 114, 130

CDs (compact disks), 44-46, 47, 48, 49-50, 51, 53, 54-55, 92

censorship:

            copyright and, 16, 248

            Internet and, 3, 108

Centennial Exposition of 1876, 129

Centerfield  (Fogerty), 176

central processing unit (CPU), 74-75

CERN (European Particle Physics Laboratory), 107

Cervantes, Miguel de, 14

Chaplin, Charlie, 218

Chaplin, Oona O’Neill, 218

characters, 147-50, 228

            cartoons, 192, 195-99, 198, 207

            licensing of, 269

charitable purposes, 182

Charvat, William, 234, 242

Chase-Riboud, Barbara, 152-53

Chase-Riboud v. Dreamworks, 152-53, 262n

chat rooms, 102-3, 104

Chicago Graphic, 237

Chiffons, 162

China, People’s Republic of, 248

choreographic works, 144-45, 168

Chronicle, The 20 Greatest Hits  (Creedence Clearwater Revival), 176

civil law, 247-48

Civil War, 136, 137

Clark, James, 107

Clark, William, 131, 215

Clay, Henry, 137, 231

Clemens, Samuel, see  Twain, Mark

Clift, Montgomery, 196

Clinton, Bill, 109, 110

Close Encounters of the Third Kind, 152

clothing design, 187

Coca, Imogene, 196

Coca-Cola, 223

Cohens and the Kellys, The, 153-54, 153, 189

College Savings Bank v. Florida Prepaid Postsecondary Educ. Expense Bd., 265n

Collins, Jeremy Blake, 109

Columbia Graphophone Co., 35

Columbia Pictures Corp. v. National Broadcasting Co., 192, 193-94, 196, 264n

Coming to America, 226

Commerce Department, U.S., 124

common law copyright, 222-23

Community for Creative Non-Violence (CCNV), 214

Community for Creative Non-Violence v. Reid, 214, 265n

compact disks (CDs), 44-46, 47, 48, 49-50, 51, 53, 54-55, 92

Compco Corp., 227

Compco Corp. v. Day-Brite Lighting, Inc., 227, 266n

compiler, 77

composers, 31-44, 45

            Internet and, 110

compulsory licenses, 37-39, 38-39, 40-41, 53, 184-85

            for cable television, 66, 180, 184

            for digital audio home recorders, 49-50, 185

            for digital audio transmissions, 51-54, 169, 185

            for jukeboxes, 184

            for noncommercial television and radio, 184

            for phonorecords, 66, 180, 184

            for satellite television systems, 185

            VCRs and, 68

Computer Associates International, Inc. v. Altai, Inc., 88-89, 260n

computer chips, special protection for, 89-92

computer programs, 76-79, 144, 244, 246, 251

            archival and adaptive copies of, 88-89, 91

            copyright protection of, 80, 89, 118-19

            copyright amendments and, 89-92

            copyright cases on, 83-88

            copyright protection of, 80-88, 97, 247-48

            patents and, 80-81

            piracy of, 173, 178, 241

            rental of, 92-93, 168, 244

            site licenses for, 178, 179

            trade secret law and, 80

[281]

computers, 74-97

            compatibility of, 83-85

            hardware for, 74-76

            workings of, 74-79, 74, 75

            see also  computer programs

Computer Software Rental Amendment (1990), 92-93

Congress, U.S., 4, 97, 139, 199, 227, 234, 248, 250

            First, 14-15, 17, 251

            home videotaping and, 68-69

            Internet and, 111-12

            petitioned for copyright protection by British authors, 231-32

            sound recordings and, 46-47, 229

            see also  House of Representatives, U.S.; Senate, U.S.; specific acts and amendments

Connecticut, 18

Constitution, U.S., 15, 84, 139, 204, 251

            First Amendment to, 16, 248

            on writings, 13-14, 137

contracts, 225-26

contributory copyright infringement, 111, 177

contributory liability of on-line service providers, 115-17

CONTU (National Commission on New Technological Uses of Copyright Works), 24-25, 82-83, 85, 91

Cooper, James Fenimore, 231, 234

copying, 151, 167

copyright:

            common law, 222-23

            duration of, 119, 183, 205-07, 229, 238, 240, 245, 250

            exclusive rights of, 14, 123, 146, 166-71

            limitations on, 6, 180-204

            remedies under, 171-79

            rights granted in, 151-79

            technology and, 3-5, 9-124

            termination of, 216-29, 229

            works protected under, 131-50

            work vs. physical object in, 212-13

            see also specific topics

copyrightability, 190

Copyright Act of 1790, 14-17, 30, 131-33, 167-68, 172, 205, 230-32, 236

Copyright Act of 1909, 55, 66, 135-36, 142, 168, 173, 174, 184, 205-06

Copyright Act of 1976, 91, 241-42, 245

            art reproductions under, 136

            cable television under, 65-66, 184

            choreographic works under, 145

            compulsory license under, 38-39, 66

            computer programs under, 81-82, 84-85, 89, 92-93, 144

            Conference Report on, 127-28

            duration under, 206, 208, 245

            fair use under, 192

            formalities under, 209

            infringement under, 173, 177

            literary works under, 131

            music and sound recordings under, 38-39

            photocopying under, 23-24, 25-26, 27, 29, 114

            property rights under, 212-13

            public display under, 169

            radio performances under, 182

            section 102 of, 84-85

            section 106 of, 89

            section 107 of, 25, 27, 29

            section 108 of, 23-24, 25-26, 114

            section 109 of, 92-93

            state law and, 229

            termination in, 217

copyright amendments:

            of 1802, 133, 137, 172

            of 1819, 172-73

            of 1831, 136, 175, 205

            of 1856, 59, 61, 172, 205

            of 1865, 61, 136

            of 1870, 133, 140, 168, 172

            of 1891, 136, 140, 234-38, 242

            of 1895, 172

            of 1897, 173, 181

            of 1912, 61, 143

            of 1964, 144

            of 1971, 55

            of 1978, 222-23, 225

            of 1980, 72, 76, 88-89

            of 1984, 55

            of 1988, 177, 209

            of 1990, 92-93

            of 1992, 55

            of 1994, 170, 171, 223

            of 1995, 169

[282]

copyright amendments (continued)

            of 1999, 214

            see also specific acts and amendments

Copyright Clearance Center (CCC), 28-29, 178-79

copyright management information, 112-15, 124, 170-71

Copyright Office, 144, 177, 208, 210-11, 211, 212-13

copyright protection systems, 112-15, 124, 170

            and computer software, 80, 89, 118-19

            for VCRs, 177-78

            for videotapes, 114-15; see also macrovision

Corbis, Inc., 135

Corel, Inc., 134-35

Cornell, Katharine, 154

corporations, as copyright owners, 213

Cosmos  (Sagan), 12-13

Cosmo’s Factory  (Creedence Clearwater Revival), 176

costs of lawsuit, 175-76

Courier Lithographing Co., 141-42, 141

Court of Claims, 22-23, 30

Cowie, Alexander, 139

CPU (central processing unit, 74-75

Crawford, Joan, 154, 154, 174

Creative America, 250-51, 267n

Creedence Clearwater Revival, 175, 176

criminal liability, 173-74

Csida, Joseph and June Bundy, 140, 258n

 

Daly, Augustin, 139

Daly v. Palmer, 59-60, 259n

damages, 176

            actual, 246

            statutory, 177, 246

dance, 144-45, 168

“Dardanella,” 163-64, 163, 165

databases, 188

Davis, James, 22

Day-Brite Lighting Company, 227

DeCosta, Victor, 228

DeCosta v. Columbia Broadcasting System, Inc., 228, 266n

Dees, William, 200

defamation, 226

Defense Department, U.S., 101-2

de Forest, Lee, 39-40, 41

Demetriades, Chris, 146

Demetriades v. Kaufmann, 146, 146, 262n

DeMille, Cecil B., 181

deposit requirement, 131, 210-11, 212, 213, 236, 237, 238

Depression, Great, 40, 62, 63, 238

derivative works, 151, 168, 217, 251

            World Wide Web links as, 123

design patent, 185, 219

Detective Comics, Inc. v. Bruns Publishing, Inc., 148, 262n

Diamond Multimedia Systems, 50-51

Dickens, Charles, 232, 233, 234, 238

Dickson, W.K.L., 60

Diddley, Bo, 166

Digimarc, 113

digital audiotape recorders, 49-50, 185

digital audio transmissions, 51-54, 169, 185

digital cameras, 93

Digital Millennium Copyright Act (1998), 25, 54, 55, 71-72, 109-20, 123-24, 245, 246, 251

            boat hull provision of, 147

            copy protection under, 170, 177-78

            copyright management information under, 170-71

            on-line service providers and, 177, 178

Digital Performance Right in Sound Recordings Act (1995), 52-54, 52-53, 55

digital “signatures,” 113

digital technology, television and, 72, 73

digital “watermarking, 113, 113

Dillinger, John, 190

Dillinger Dossier, The  (Nash), 190

Dime Detective, 217

Dior, Christian, 187

discretionary remedies, 172, 176-77

Dishonored Lady, 154-55, 154

distribution, 151, 167-68

Donaldson Lithographing Co., 141

Don Quixote  (Cervantes), 14

DOS 86-87

Douglas, William O., 80

“Do You Want to Dance?,” 227

drama, 139-40, 144, 173

            public performance of, 168, 181

Drawing Hands  (Escher), 247

[283]

drawings, 140-43

Dr. Seuss Enters., LP v. Penguin Books USA, Inc., 193, 195, 264n

duration of copyright, 119, 183, 205-07, 229, 238, 240, 245

 

Eastman, George, 56, 138, 139

Echo of Lions  (Chase-Riboud), 152-53

Edison, Thomas, 32-33, 33 56, 57, 60, 61

Edison Licensee Group, 57

educational institutions, nonprofit performances by, 182

educational photocopying, 20, 25-27, 200

Edward, Gus, 32

Elder, Bill, 198

Electronic Frontier Foundation, 111

Eleventh Amendment, 216

Ellsworth, William W., 15

Elsmere Music, Inc. v. National Broadcasting Co., 192, 264n

e-mail, 104-5, 105, 106, 116

            digital files attached to, 105

            mailing lists on, 104-5

Emerson, Ralph Waldo, 231

encoding, 170

encryption, 110, 112

England:

            copyright law in, 11-14, 16, 135, 171-72, 205, 248

            international copyright in, 231, 232

            see also  authors, British

engravings, 134-35, 141

entry points, 84

equity, fair use in, 193

Erlanger, Abraham, 58-59

Escher, M.C., 247, 247

E.T. The Extra-Terrestrial, 152

European Particle Physics Laboratory (CERN), 107

European Union, 188

Evans, Roy, 251

Eventide  (Taylor), 145

exclusive rights, 14, 123, 146, 166-71

extension of copyright term, 183, 208, 250

 

fact-expression distinction, 161, 187-88, 248

Factors Etc., Inc. v. Pro Arts, Inc., 226, 266n

Fairness in Music Licensing Act (1998), 183, 207

fair use, 29, 30, 119, 190-92

            copyright and educational, 25-26

            as equitable doctrine, 193

            in Ford memoirs case, 155, 204

            parody as, 164, 192-99

            in photocopying, 20, 21-23

            and public policy, 199-204

            VCRs and, 67-68

Faraday, Michael, 98

Fast Forward: Hollywood, the Japanese, and the VCR Wars  (Lardner), 71

FBI warnings, 173

Federal Communications Commission, 72

Federal Hall, 17

Federalist Papers, The, 14

federal laws, state laws preempted by, 227-29

Feist Publications, Inc. v. Rural Telephone Service Co.,  129-30, 131, 187-88, 261n

Field, Cyrus, 99

File Transfer Protocol (FTP), 106, 107

Filmvideo Releasing Corp. v. Hastings, 149, 262n

Filo, David, 109, 110

fine arts standard, 140-43

First Amendment, 16, 248

first sale doctrine, 48, 92, 167-68, 169, 180

            audio exception to, 69

            computer software and, 92-93

            video rentals and, 69-70, 71

“First Time I Saw Maris, The,” 192, 197

First Trust Co. of Saint Paul v. Minnesota Historical Society, 215, 265n

fixation, 127, 170, 190, 208-11, 222-23, 246

fixed fines, 172

Fleming, George, 61

Florida Prepaid Postsecondary Educ. Expense Bd. v. College Savings Bank, 265n

Fogerty, John, 175-76, 176

Fogerty v. Fantasy, Inc., 175-76, 176, 263n