The Illustrated Story of Copyright

      Edward Samuels

      INDEX

       

      [This is the complete index, exactly as it appeared in the book.
      Eventually, I hope to be able to hyperlink all of this.]

       

       Return to Contents

       

      [277] Page numbers in italics refer to illustrations.

       

      ABC, 225

      Abend, Sheldon, 217

      Abie’s Irish Rose  (Nichols), 153-54, 153, 189

      ABKCO Music, Inc. v. Harrisongs Music, Ltd., 162-65, 163

      access to copyrighted works, 119

      in substantial similarity, 165-66

      Accolade, Inc., 200-202

      Actors Equity Association, 40

      actual damages, 246

      Acuff-Rose, 200

      Adams, Ansel, 138, 159-60, 160

      Addison-Wesley Publishing Co., Inc. v. New York University, 26-27, 177-78, 257n

      Adobe Photoshop, 92, 95

      Advance Research Projects Agency (ARPANet), 101-2

      advertising, 141-42:

                  Internet and, 103

                  right of publicity in, 227

                  substantial similarity in, 157-59, 161

                  on Web sites, 117

      “After the Ball,” 32

      agents, 107

      Air Pirates Funnies, 192, 195-99, 198

      Alden-Rochelle Inc. v. ASCAP, 183, 263n

      Alfred A. Knopf, 147-49

      Alfred Bell & Co., 134

      Alfred Bell & Co. v. Catalda Fine Arts, Inc., 134, 261n

      Alt, Howard, 161-62, 162

      Alt v. Morello, 161-62, 162

      Alva Studios, Inc. v. Winninger, 142-43, 143, 262n

      Amazon.com, 109

      American Association of University Professors, 26

      American Dictionary of the English Language  (Webster), 15

      American Geophysical Union v. Texaco, Inc., 28-29, 258n

      American Law Institute, 215-16

      American Library Association, 22

      American Marconi Company, 62

      American Mutoscope and Biograph Company, 57, 60

      American Society of Composers, Authors and Publishers (ASCAP), 40-43, 44, 181, 182-83

      American Spelling Book  (Webster), 15

      America Online, 102, 103, 109

      Amistad, 152-53

      Ammirati & Puris, 161, 161

      analog technology:

                  sound recordings and, 45-45, 47

                  television and, 71, 73

      Anderson, John, 139

      Andreessen, Marc, 107, 109

      Animaniacs, 194

      Annual Authorization Service (AAS), 29, 30

      [278]

      anti-dilution laws, 222

      antitrust law, 222

      Apollo Company, 34, 35

      Apple Computer, Inc., 83-88, 83

                  Microsoft’s licensing agreement with, 86-88

      Apple Computer, Inc. v. Franklin Computer Corp., 83-85, 260n

      Apple Computer, Inc. v. Microsoft Corp., 86-66, 260n

      Apple Corps. Ltd. v. Leber, 226, 266n

      Apple II, 83, 83, 85, 86

      applets, 108

      architectural works, 146, 186, 245

      arithmetic unit, 76

      ARPANet (Advanced Research Projects Agency), 101-02

      Articles of Confederation, 15, 18, 131, 139

      artists, Internet and, 110

      art reproductions, 133-36

      ASCAP (American Society of Composers, Authors and Publishers), 40-42, 44, 181, 182-83

      As Clean As They Wanna Be  (2 Live Crew), 200

      As Dirty As They Wanna Be  (2 Live Crew), 200

      Asimov, Isaac, 100

      Association Littéraire et Artistique Internationale, 234

      Association of Research Libraries, 22

      Association to Protect the Rights of Authors, 234

      Asther, Nils, 154

      Astor, Mary, 147

      AT&T, 129

      Atari, 86

      Atari v. North American Philips Consumer Electronics Corp., 148, 262n

      Atkinson, Brooks, 153, 154

      attorneys’ fees, 175-76, 246

      attribution, right of, 169

      Audio Home Recording Act (1992), 49-51, 69-70

      “Audion” vacuum tube, 39

      audio rental stores, 47-48

      audiotapes, 44, 45, 48, 144

                  see also  digital audiotape recorders

      authentication of users, 118

      authors, British, 238-39, 242

                  manufacturing clause and, 236-37

                  unprotected under U.S. copyright law, 230-34, 235

      authors, U.S., 230-32, 234, 235-36, 239, 242, 244

      authorship:

                  concept of, 12

                  joint, 214

                  originality and, 128

                  under Statute of Anne, 12-13

      Autobiography, An  (Adams), 138

      Autolight, 192, 193, 196

       

      Baldwin, Neil, 33

      Bamberger Department Store, 43

      bandwidth, 104

      Banks, Betsy, 41

      Barber, Benjamin, 250

      Barnes, James, 231

      Barnes, Margaret Ayer, 154

      bars, 181

      Barton, E.M., 129

      Basic, 77-78, 86

      Basic Books, Inc. v. Kinko’s Graphics Corp., 27-28, 257n

      Batchelor, Charles, 33

      BBC Television, 225

      Beatlemania, 226

      Beatles, 37, 38, 39, 40-41, 164, 170, 226

      Bee Gees, 165, 165

      Bell, Alexander Graham, 99-100, 100, 129

      Bell Company, 100, 101, 129

      Benesh movement notation, 145

      Ben-Hur  (movie), 57-60

      Ben-Hur  (play), 58-59, 59

      Ben-Hur; A Tale of the Christ  (Wallace), 57-59

      Benny, Jack, 192, 196

      Benny v. Loew’s Inc.,  192, 193, 196

      Benson, Gary, 80

      Bergman, Ingrid, 196, 220

      Berlin, Irving, 42

      Berlin v. E.C. Publications, Inc.,  192, 197-99, 198, 264n

      Berne Convention, 116, 234, 237, 241-42, 248

                  architectural works protected under, 146, 245

      [279]

      Berne Convention (continued)

                  back door to, 237-38, 243

                  computer programs under, 97

                  copyright formalities under, 209, 238-40, 242

                  duration of copyright under, 206, 238, 245

                  moral rights under, 169, 240, 245

      Berne Implementation Act (1988), 241-42, 251

      Berners-Lee, Tim, 107, 107

      Betamax, 49, 67-69, 71, 200

      Betamax case, see Sony Corp. of America v. Universal City Studios, Inc.

      Bettmann Archives, 135

      Bezos, Jeff, 109

      Billboard, 40

      BITNET, 101-2

      Black Rainbow  (Zambito), 152

      Bleistein v. Donaldson Lithographing Co., 128, 141-42, 261n, 262n

      blind persons, 182

      Blockbuster Video, 72

      Blue Boy, The  (Gainsborough), 134-35, 134

      blueprints, 146

      BMI, 43, 183

      boat hull designs, 146-47, 186

      Bogart, Humphrey, 147, 149, 220

      Bolling, Ruben, 207

      books, 11-30, 131

                  foreign editions of, 236-37

                  international copyright and, 230-43

                  printing press and, 10, 11-17

                  substantial similarity in, 152-55

      Boone, Richard, 228

      Boorstin, Daniel J., 12, 16, 233

      Booth, Shirley, 227

      Bootleg  (Heylin), 171

      bootlegging, 170, 171, 246

                  see also  piracy

      Bordman, Gerald, 235

      ’bots, 107

      Boyd, William, 149, 166

      Boyer, Charles, 196

      Brady, Mathew, 33, 58, 136, 137, 208, 232

      Bridgeman Art, Inc., 134-35, 135

      Bridgeman Art, Inc. v. Corel, Inc., 134-35, 261n

      Bright Tunes Music Corp. v. Harrisongs Music, Ltd.,  162-65, 163, 164, 263n

      British authors, see  authors, British

      broadcast television, 61-63, 62

      broadcast transmissions, nonsubscription, 52-53

      Brook, Jim, 216

      Brown, James, 166

      Brown, Ronald, 112

      Buchwald, Art, 226

      Buchwald v. Paramount Pictures Corp.,  226, 265n

      Burkan, Nathan, 37, 42, 44

      Burroughs v. Metro-Goldwyn-Mayer, Inc., 148, 262n

      Burrow-Giles Lithographic Co., 137

      Burrow-Giles Lithographic Co. v. Sarony, 137-39, 137, 261n

      business photocopying, 20, 27-29

      Business Software Alliance (BSA), 178

       

      C (programming language), 77

      cable television, 63-66, 73

                  community antenna and, 63, 64

                  compulsory license for, 66, 180, 184

                  distant signals and, 64-65

                  premium channels on, 63, 66-67, 71-72

      caches, 116-18

      Cadillac, 222

      Caesar, Sid, 192, 193-94, 196

      California, University of:

                  at Los Angeles (UCLA), 101

                  at Santa Barbara, 101

      Campbell v. Acuff-Rose Music, Inc., 199, 200 264n

      Canada, 237

      Carey, Mathew, 240

      Carlson, Chester F., 18, 19

      Carroll, Andrew, 220

      Carson, Johnny, 69

      Carte, Richard D’Oyly, 232-33

      Carte v. Duff, 233-34, 266n

      Carte v. Evans, 233-34, 266n

      cartoon characters, 192, 195-99, 198, 207

      Caruso, Enrico, 35, 36

      Casablanca,  220

      Case, Steve, 109

      Cassidy, Hopalong (char.), 149, 166

      casual photocopying, 29-30

      Catalda Fine Arts, Inc., 134

      Cave Dwellers, The  (Saroyan), 218

      Caxton, William, 11, 14

      [280]

      CBS, 149, 190, 228

      CCC (Copyright Clearance Center), 28-29, 178-79

      CD-ROMs, 75, 93, 94, 114, 130

      CDs (compact disks), 44-46, 47, 48, 49-50, 51, 53, 54-55, 92

      censorship:

                  copyright and, 16, 248

                  Internet and, 3, 108

      Centennial Exposition of 1876, 129

      Centerfield  (Fogerty), 176

      central processing unit (CPU), 74-75

      CERN (European Particle Physics Laboratory), 107

      Cervantes, Miguel de, 14

      Chaplin, Charlie, 218

      Chaplin, Oona O’Neill, 218

      characters, 147-50, 228

                  cartoons, 192, 195-99, 198, 207

                  licensing of, 269

      charitable purposes, 182

      Charvat, William, 234, 242

      Chase-Riboud, Barbara, 152-53

      Chase-Riboud v. Dreamworks, 152-53, 262n

      chat rooms, 102-3, 104

      Chicago Graphic, 237

      Chiffons, 162

      China, People’s Republic of, 248

      choreographic works, 144-45, 168

      Chronicle, The 20 Greatest Hits  (Creedence Clearwater Revival), 176

      civil law, 247-48

      Civil War, 136, 137

      Clark, James, 107

      Clark, William, 131, 215

      Clay, Henry, 137, 231

      Clemens, Samuel, see  Twain, Mark

      Clift, Montgomery, 196

      Clinton, Bill, 109, 110

      Close Encounters of the Third Kind, 152

      clothing design, 187

      Coca, Imogene, 196

      Coca-Cola, 223

      Cohens and the Kellys, The, 153-54, 153, 189

      College Savings Bank v. Florida Prepaid Postsecondary Educ. Expense Bd., 265n

      Collins, Jeremy Blake, 109

      Columbia Graphophone Co., 35

      Columbia Pictures Corp. v. National Broadcasting Co., 192, 193-94, 196, 264n

      Coming to America, 226

      Commerce Department, U.S., 124

      common law copyright, 222-23

      Community for Creative Non-Violence (CCNV), 214

      Community for Creative Non-Violence v. Reid, 214, 265n

      compact disks (CDs), 44-46, 47, 48, 49-50, 51, 53, 54-55, 92

      Compco Corp., 227

      Compco Corp. v. Day-Brite Lighting, Inc., 227, 266n

      compiler, 77

      composers, 31-44, 45

                  Internet and, 110

      compulsory licenses, 37-39, 38-39, 40-41, 53, 184-85

                  for cable television, 66, 180, 184

                  for digital audio home recorders, 49-50, 185

                  for digital audio transmissions, 51-54, 169, 185

                  for jukeboxes, 184

                  for noncommercial television and radio, 184

                  for phonorecords, 66, 180, 184

                  for satellite television systems, 185

                  VCRs and, 68

      Computer Associates International, Inc. v. Altai, Inc., 88-89, 260n

      computer chips, special protection for, 89-92

      computer programs, 76-79, 144, 244, 246, 251

                  archival and adaptive copies of, 88-89, 91

                  copyright protection of, 80, 89, 118-19

                  copyright amendments and, 89-92

                  copyright cases on, 83-88

                  copyright protection of, 80-88, 97, 247-48

                  patents and, 80-81

                  piracy of, 173, 178, 241

                  rental of, 92-93, 168, 244

                  site licenses for, 178, 179

                  trade secret law and, 80

      [281]

      computers, 74-97

                  compatibility of, 83-85

                  hardware for, 74-76

                  workings of, 74-79, 74, 75

                  see also  computer programs

      Computer Software Rental Amendment (1990), 92-93

      Congress, U.S., 4, 97, 139, 199, 227, 234, 248, 250

                  First, 14-15, 17, 251

                  home videotaping and, 68-69

                  Internet and, 111-12

                  petitioned for copyright protection by British authors, 231-32

                  sound recordings and, 46-47, 229

                  see also  House of Representatives, U.S.; Senate, U.S.; specific acts and amendments

      Connecticut, 18

      Constitution, U.S., 15, 84, 139, 204, 251

                  First Amendment to, 16, 248

                  on writings, 13-14, 137

      contracts, 225-26

      contributory copyright infringement, 111, 177

      contributory liability of on-line service providers, 115-17

      CONTU (National Commission on New Technological Uses of Copyright Works), 24-25, 82-83, 85, 91

      Cooper, James Fenimore, 231, 234

      copying, 151, 167

      copyright:

                  common law, 222-23

                  duration of, 119, 183, 205-07, 229, 238, 240, 245, 250

                  exclusive rights of, 14, 123, 146, 166-71

                  limitations on, 6, 180-204

                  remedies under, 171-79

                  rights granted in, 151-79

                  technology and, 3-5, 9-124

                  termination of, 216-29, 229

                  works protected under, 131-50

                  work vs. physical object in, 212-13

                  see also specific topics

      copyrightability, 190

      Copyright Act of 1790, 14-17, 30, 131-33, 167-68, 172, 205, 230-32, 236

      Copyright Act of 1909, 55, 66, 135-36, 142, 168, 173, 174, 184, 205-06

      Copyright Act of 1976, 91, 241-42, 245

                  art reproductions under, 136

                  cable television under, 65-66, 184

                  choreographic works under, 145

                  compulsory license under, 38-39, 66

                  computer programs under, 81-82, 84-85, 89, 92-93, 144

                  Conference Report on, 127-28

                  duration under, 206, 208, 245

                  fair use under, 192

                  formalities under, 209

                  infringement under, 173, 177

                  literary works under, 131

                  music and sound recordings under, 38-39

                  photocopying under, 23-24, 25-26, 27, 29, 114

                  property rights under, 212-13

                  public display under, 169

                  radio performances under, 182

                  section 102 of, 84-85

                  section 106 of, 89

                  section 107 of, 25, 27, 29

                  section 108 of, 23-24, 25-26, 114

                  section 109 of, 92-93

                  state law and, 229

                  termination in, 217

      copyright amendments:

                  of 1802, 133, 137, 172

                  of 1819, 172-73

                  of 1831, 136, 175, 205

                  of 1856, 59, 61, 172, 205

                  of 1865, 61, 136

                  of 1870, 133, 140, 168, 172

                  of 1891, 136, 140, 234-38, 242

                  of 1895, 172

                  of 1897, 173, 181

                  of 1912, 61, 143

                  of 1964, 144

                  of 1971, 55

                  of 1978, 222-23, 225

                  of 1980, 72, 76, 88-89

                  of 1984, 55

                  of 1988, 177, 209

                  of 1990, 92-93

                  of 1992, 55

                  of 1994, 170, 171, 223

                  of 1995, 169

      [282]

      copyright amendments (continued)

                  of 1999, 214

                  see also specific acts and amendments

      Copyright Clearance Center (CCC), 28-29, 178-79

      copyright management information, 112-15, 124, 170-71

      Copyright Office, 144, 177, 208, 210-11, 211, 212-13

      copyright protection systems, 112-15, 124, 170

                  and computer software, 80, 89, 118-19

                  for VCRs, 177-78

                  for videotapes, 114-15; see also macrovision

      Corbis, Inc., 135

      Corel, Inc., 134-35

      Cornell, Katharine, 154

      corporations, as copyright owners, 213

      Cosmos  (Sagan), 12-13

      Cosmo’s Factory  (Creedence Clearwater Revival), 176

      costs of lawsuit, 175-76

      Courier Lithographing Co., 141-42, 141

      Court of Claims, 22-23, 30

      Cowie, Alexander, 139

      CPU (central processing unit, 74-75

      Crawford, Joan, 154, 154, 174

      Creative America, 250-51, 267n

      Creedence Clearwater Revival, 175, 176

      criminal liability, 173-74

      Csida, Joseph and June Bundy, 140, 258n

       

      Daly, Augustin, 139

      Daly v. Palmer, 59-60, 259n

      damages, 176

                  actual, 246

                  statutory, 177, 246

      dance, 144-45, 168

      “Dardanella,” 163-64, 163, 165

      databases, 188

      Davis, James, 22

      Day-Brite Lighting Company, 227

      DeCosta, Victor, 228

      DeCosta v. Columbia Broadcasting System, Inc., 228, 266n

      Dees, William, 200

      defamation, 226

      Defense Department, U.S., 101-2

      de Forest, Lee, 39-40, 41

      Demetriades, Chris, 146

      Demetriades v. Kaufmann, 146, 146, 262n

      DeMille, Cecil B., 181

      deposit requirement, 131, 210-11, 212, 213, 236, 237, 238

      Depression, Great, 40, 62, 63, 238

      derivative works, 151, 168, 217, 251

                  World Wide Web links as, 123

      design patent, 185, 219

      Detective Comics, Inc. v. Bruns Publishing, Inc., 148, 262n

      Diamond Multimedia Systems, 50-51

      Dickens, Charles, 232, 233, 234, 238

      Dickson, W.K.L., 60

      Diddley, Bo, 166

      Digimarc, 113

      digital audiotape recorders, 49-50, 185

      digital audio transmissions, 51-54, 169, 185

      digital cameras, 93

      Digital Millennium Copyright Act (1998), 25, 54, 55, 71-72, 109-20, 123-24, 245, 246, 251

                  boat hull provision of, 147

                  copy protection under, 170, 177-78

                  copyright management information under, 170-71

                  on-line service providers and, 177, 178

      Digital Performance Right in Sound Recordings Act (1995), 52-54, 52-53, 55

      digital “signatures,” 113

      digital technology, television and, 72, 73

      digital “watermarking, 113, 113

      Dillinger, John, 190

      Dillinger Dossier, The  (Nash), 190

      Dime Detective, 217

      Dior, Christian, 187

      discretionary remedies, 172, 176-77

      Dishonored Lady, 154-55, 154

      distribution, 151, 167-68

      Donaldson Lithographing Co., 141

      Don Quixote  (Cervantes), 14

      DOS 86-87

      Douglas, William O., 80

      “Do You Want to Dance?,” 227

      drama, 139-40, 144, 173

                  public performance of, 168, 181

      Drawing Hands  (Escher), 247

      [283]

      drawings, 140-43

      Dr. Seuss Enters., LP v. Penguin Books USA, Inc., 193, 195, 264n

      duration of copyright, 119, 183, 205-07, 229, 238, 240, 245

       

      Eastman, George, 56, 138, 139

      Echo of Lions  (Chase-Riboud), 152-53

      Edison, Thomas, 32-33, 33 56, 57, 60, 61

      Edison Licensee Group, 57

      educational institutions, nonprofit performances by, 182

      educational photocopying, 20, 25-27, 200

      Edward, Gus, 32

      Elder, Bill, 198

      Electronic Frontier Foundation, 111

      Eleventh Amendment, 216

      Ellsworth, William W., 15

      Elsmere Music, Inc. v. National Broadcasting Co., 192, 264n

      e-mail, 104-5, 105, 106, 116

                  digital files attached to, 105

                  mailing lists on, 104-5

      Emerson, Ralph Waldo, 231

      encoding, 170

      encryption, 110, 112

      England:

                  copyright law in, 11-14, 16, 135, 171-72, 205, 248

                  international copyright in, 231, 232

                  see also  authors, British

      engravings, 134-35, 141

      entry points, 84

      equity, fair use in, 193

      Erlanger, Abraham, 58-59

      Escher, M.C., 247, 247

      E.T. The Extra-Terrestrial, 152

      European Particle Physics Laboratory (CERN), 107

      European Union, 188

      Evans, Roy, 251

      Eventide  (Taylor), 145

      exclusive rights, 14, 123, 146, 166-71

      extension of copyright term, 183, 208, 250

       

      fact-expression distinction, 161, 187-88, 248

      Factors Etc., Inc. v. Pro Arts, Inc., 226, 266n

      Fairness in Music Licensing Act (1998), 183, 207

      fair use, 29, 30, 119, 190-92

                  copyright and educational, 25-26

                  as equitable doctrine, 193

                  in Ford memoirs case, 155, 204

                  parody as, 164, 192-99

                  in photocopying, 20, 21-23

                  and public policy, 199-204

                  VCRs and, 67-68

      Faraday, Michael, 98

      Fast Forward: Hollywood, the Japanese, and the VCR Wars  (Lardner), 71

      FBI warnings, 173

      Federal Communications Commission, 72

      Federal Hall, 17

      Federalist Papers, The, 14

      federal laws, state laws preempted by, 227-29

      Feist Publications, Inc. v. Rural Telephone Service Co.,  129-30, 131, 187-88, 261n

      Field, Cyrus, 99

      File Transfer Protocol (FTP), 106, 107

      Filmvideo Releasing Corp. v. Hastings, 149, 262n

      Filo, David, 109, 110

      fine arts standard, 140-43

      First Amendment, 16, 248

      first sale doctrine, 48, 92, 167-68, 169, 180

                  audio exception to, 69

                  computer software and, 92-93

                  video rentals and, 69-70, 71

      “First Time I Saw Maris, The,” 192, 197

      First Trust Co. of Saint Paul v. Minnesota Historical Society, 215, 265n

      fixation, 127, 170, 190, 208-11, 222-23, 246

      fixed fines, 172

      Fleming, George, 61

      Florida Prepaid Postsecondary Educ. Expense Bd. v. College Savings Bank, 265n

      Fogerty, John, 175-76, 176

      Fogerty v. Fantasy, Inc., 175-76, 176, 263n