The Illustrated Story of Copyright

      Edward Samuels

      INDEX

       

      [This is the complete index, exactly as it appeared in the book.
      Eventually, I hope to be able to hyperlink all of this.]

       

       Return to Contents

       

      [277] Page numbers in italics refer to illustrations.

       

      ABC, 225

      Abend, Sheldon, 217

      Abie’s Irish Rose  (Nichols), 153-54, 153, 189

      ABKCO Music, Inc. v. Harrisongs Music, Ltd., 162-65, 163

      access to copyrighted works, 119

      in substantial similarity, 165-66

      Accolade, Inc., 200-202

      Actors Equity Association, 40

      actual damages, 246

      Acuff-Rose, 200

      Adams, Ansel, 138, 159-60, 160

      Addison-Wesley Publishing Co., Inc. v. New York University, 26-27, 177-78, 257n

      Adobe Photoshop, 92, 95

      Advance Research Projects Agency (ARPANet), 101-2

      advertising, 141-42:

                  Internet and, 103

                  right of publicity in, 227

                  substantial similarity in, 157-59, 161

                  on Web sites, 117

      “After the Ball,” 32

      agents, 107

      Air Pirates Funnies, 192, 195-99, 198

      Alden-Rochelle Inc. v. ASCAP, 183, 263n

      Alfred A. Knopf, 147-49

      Alfred Bell & Co., 134

      Alfred Bell & Co. v. Catalda Fine Arts, Inc., 134, 261n

      Alt, Howard, 161-62, 162

      Alt v. Morello, 161-62, 162

      Alva Studios, Inc. v. Winninger, 142-43, 143, 262n

      Amazon.com, 109

      American Association of University Professors, 26

      American Dictionary of the English Language  (Webster), 15

      American Geophysical Union v. Texaco, Inc., 28-29, 258n

      American Law Institute, 215-16

      American Library Association, 22

      American Marconi Company, 62

      American Mutoscope and Biograph Company, 57, 60

      American Society of Composers, Authors and Publishers (ASCAP), 40-43, 44, 181, 182-83

      American Spelling Book  (Webster), 15

      America Online, 102, 103, 109

      Amistad, 152-53

      Ammirati & Puris, 161, 161

      analog technology:

                  sound recordings and, 45-45, 47

                  television and, 71, 73

      Anderson, John, 139

      Andreessen, Marc, 107, 109

      Animaniacs, 194

      Annual Authorization Service (AAS), 29, 30

      [278]

      anti-dilution laws, 222

      antitrust law, 222

      Apollo Company, 34, 35

      Apple Computer, Inc., 83-88, 83

                  Microsoft’s licensing agreement with, 86-88

      Apple Computer, Inc. v. Franklin Computer Corp., 83-85, 260n

      Apple Computer, Inc. v. Microsoft Corp., 86-66, 260n

      Apple Corps. Ltd. v. Leber, 226, 266n

      Apple II, 83, 83, 85, 86

      applets, 108

      architectural works, 146, 186, 245

      arithmetic unit, 76

      ARPANet (Advanced Research Projects Agency), 101-02

      Articles of Confederation, 15, 18, 131, 139

      artists, Internet and, 110

      art reproductions, 133-36

      ASCAP (American Society of Composers, Authors and Publishers), 40-42, 44, 181, 182-83

      As Clean As They Wanna Be  (2 Live Crew), 200

      As Dirty As They Wanna Be  (2 Live Crew), 200

      Asimov, Isaac, 100

      Association Littéraire et Artistique Internationale, 234

      Association of Research Libraries, 22

      Association to Protect the Rights of Authors, 234

      Asther, Nils, 154

      Astor, Mary, 147

      AT&T, 129

      Atari, 86

      Atari v. North American Philips Consumer Electronics Corp., 148, 262n

      Atkinson, Brooks, 153, 154

      attorneys’ fees, 175-76, 246

      attribution, right of, 169

      Audio Home Recording Act (1992), 49-51, 69-70

      “Audion” vacuum tube, 39

      audio rental stores, 47-48

      audiotapes, 44, 45, 48, 144

                  see also  digital audiotape recorders

      authentication of users, 118

      authors, British, 238-39, 242

                  manufacturing clause and, 236-37

                  unprotected under U.S. copyright law, 230-34, 235

      authors, U.S., 230-32, 234, 235-36, 239, 242, 244

      authorship:

                  concept of, 12

                  joint, 214

                  originality and, 128

                  under Statute of Anne, 12-13

      Autobiography, An  (Adams), 138

      Autolight, 192, 193, 196

       

      Baldwin, Neil, 33

      Bamberger Department Store, 43

      bandwidth, 104

      Banks, Betsy, 41

      Barber, Benjamin, 250

      Barnes, James, 231

      Barnes, Margaret Ayer, 154

      bars, 181

      Barton, E.M., 129

      Basic, 77-78, 86

      Basic Books, Inc. v. Kinko’s Graphics Corp., 27-28, 257n

      Batchelor, Charles, 33

      BBC Television, 225

      Beatlemania, 226

      Beatles, 37, 38, 39, 40-41, 164, 170, 226

      Bee Gees, 165, 165

      Bell, Alexander Graham, 99-100, 100, 129

      Bell Company, 100, 101, 129

      Benesh movement notation, 145

      Ben-Hur  (movie), 57-60

      Ben-Hur  (play), 58-59, 59

      Ben-Hur; A Tale of the Christ  (Wallace), 57-59

      Benny, Jack, 192, 196

      Benny v. Loew’s Inc.,  192, 193, 196

      Benson, Gary, 80

      Bergman, Ingrid, 196, 220

      Berlin, Irving, 42

      Berlin v. E.C. Publications, Inc.,  192, 197-99, 198, 264n

      Berne Convention, 116, 234, 237, 241-42, 248

                  architectural works protected under, 146, 245

      [279]

      Berne Convention (continued)

                  back door to, 237-38, 243

                  computer programs under, 97

                  copyright formalities under, 209, 238-40, 242

                  duration of copyright under, 206, 238, 245

                  moral rights under, 169, 240, 245

      Berne Implementation Act (1988), 241-42, 251

      Berners-Lee, Tim, 107, 107

      Betamax, 49, 67-69, 71, 200

      Betamax case, see Sony Corp. of America v. Universal City Studios, Inc.

      Bettmann Archives, 135

      Bezos, Jeff, 109

      Billboard, 40

      BITNET, 101-2

      Black Rainbow  (Zambito), 152

      Bleistein v. Donaldson Lithographing Co., 128, 141-42, 261n, 262n

      blind persons, 182

      Blockbuster Video, 72

      Blue Boy, The  (Gainsborough), 134-35, 134

      blueprints, 146

      BMI, 43, 183

      boat hull designs, 146-47, 186

      Bogart, Humphrey, 147, 149, 220

      Bolling, Ruben, 207

      books, 11-30, 131

                  foreign editions of, 236-37

                  international copyright and, 230-43

                  printing press and, 10, 11-17

                  substantial similarity in, 152-55

      Boone, Richard, 228

      Boorstin, Daniel J., 12, 16, 233

      Booth, Shirley, 227

      Bootleg  (Heylin), 171

      bootlegging, 170, 171, 246

                  see also  piracy

      Bordman, Gerald, 235

      ’bots, 107

      Boyd, William, 149, 166

      Boyer, Charles, 196

      Brady, Mathew, 33, 58, 136, 137, 208, 232

      Bridgeman Art, Inc., 134-35, 135

      Bridgeman Art, Inc. v. Corel, Inc., 134-35, 261n

      Bright Tunes Music Corp. v. Harrisongs Music, Ltd.,  162-65, 163, 164, 263n

      British authors, see  authors, British

      broadcast television, 61-63, 62

      broadcast transmissions, nonsubscription, 52-53

      Brook, Jim, 216

      Brown, James, 166

      Brown, Ronald, 112

      Buchwald, Art, 226

      Buchwald v. Paramount Pictures Corp.,  226, 265n

      Burkan, Nathan, 37, 42, 44

      Burroughs v. Metro-Goldwyn-Mayer, Inc., 148, 262n

      Burrow-Giles Lithographic Co., 137

      Burrow-Giles Lithographic Co. v. Sarony, 137-39, 137, 261n

      business photocopying, 20, 27-29

      Business Software Alliance (BSA), 178

       

      C (programming language), 77

      cable television, 63-66, 73

                  community antenna and, 63, 64

                  compulsory license for, 66, 180, 184

                  distant signals and, 64-65

                  premium channels on, 63, 66-67, 71-72

      caches, 116-18

      Cadillac, 222

      Caesar, Sid, 192, 193-94, 196

      California, University of:

                  at Los Angeles (UCLA), 101

                  at Santa Barbara, 101

      Campbell v. Acuff-Rose Music, Inc., 199, 200 264n

      Canada, 237

      Carey, Mathew, 240

      Carlson, Chester F., 18, 19

      Carroll, Andrew, 220

      Carson, Johnny, 69

      Carte, Richard D’Oyly, 232-33

      Carte v. Duff, 233-34, 266n

      Carte v. Evans, 233-34, 266n

      cartoon characters, 192, 195-99, 198, 207

      Caruso, Enrico, 35, 36

      Casablanca,  220

      Case, Steve, 109

      Cassidy, Hopalong (char.), 149, 166

      casual photocopying, 29-30

      Catalda Fine Arts, Inc., 134

      Cave Dwellers, The  (Saroyan), 218

      Caxton, William, 11, 14

      [280]

      CBS, 149, 190, 228

      CCC (Copyright Clearance Center), 28-29, 178-79

      CD-ROMs, 75, 93, 94, 114, 130

      CDs (compact disks), 44-46, 47, 48, 49-50, 51, 53, 54-55, 92

      censorship:

                  copyright and, 16, 248

                  Internet and, 3, 108

      Centennial Exposition of 1876, 129

      Centerfield  (Fogerty), 176

      central processing unit (CPU), 74-75

      CERN (European Particle Physics Laboratory), 107

      Cervantes, Miguel de, 14

      Chaplin, Charlie, 218

      Chaplin, Oona O’Neill, 218

      characters, 147-50, 228

                  cartoons, 192, 195-99, 198, 207

                  licensing of, 269

      charitable purposes, 182

      Charvat, William, 234, 242

      Chase-Riboud, Barbara, 152-53

      Chase-Riboud v. Dreamworks, 152-53, 262n

      chat rooms, 102-3, 104

      Chicago Graphic, 237

      Chiffons, 162

      China, People’s Republic of, 248

      choreographic works, 144-45, 168

      Chronicle, The 20 Greatest Hits  (Creedence Clearwater Revival), 176

      civil law, 247-48

      Civil War, 136, 137

      Clark, James, 107

      Clark, William, 131, 215

      Clay, Henry, 137, 231

      Clemens, Samuel, see  Twain, Mark

      Clift, Montgomery, 196

      Clinton, Bill, 109, 110

      Close Encounters of the Third Kind, 152

      clothing design, 187

      Coca, Imogene, 196

      Coca-Cola, 223

      Cohens and the Kellys, The, 153-54, 153, 189

      College Savings Bank v. Florida Prepaid Postsecondary Educ. Expense Bd., 265n

      Collins, Jeremy Blake, 109

      Columbia Graphophone Co., 35

      Columbia Pictures Corp. v. National Broadcasting Co., 192, 193-94, 196, 264n

      Coming to America, 226

      Commerce Department, U.S., 124

      common law copyright, 222-23

      Community for Creative Non-Violence (CCNV), 214

      Community for Creative Non-Violence v. Reid, 214, 265n

      compact disks (CDs), 44-46, 47, 48, 49-50, 51, 53, 54-55, 92

      Compco Corp., 227

      Compco Corp. v. Day-Brite Lighting, Inc., 227, 266n

      compiler, 77

      composers, 31-44, 45

                  Internet and, 110

      compulsory licenses, 37-39, 38-39, 40-41, 53, 184-85

                  for cable television, 66, 180, 184

                  for digital audio home recorders, 49-50, 185

                  for digital audio transmissions, 51-54, 169, 185

                  for jukeboxes, 184

                  for noncommercial television and radio, 184

                  for phonorecords, 66, 180, 184

                  for satellite television systems, 185

                  VCRs and, 68

      Computer Associates International, Inc. v. Altai, Inc., 88-89, 260n

      computer chips, special protection for, 89-92

      computer programs, 76-79, 144, 244, 246, 251

                  archival and adaptive copies of, 88-89, 91

                  copyright protection of, 80, 89, 118-19

                  copyright amendments and, 89-92

                  copyright cases on, 83-88

                  copyright protection of, 80-88, 97, 247-48

                  patents and, 80-81

                  piracy of, 173, 178, 241

                  rental of, 92-93, 168, 244

                  site licenses for, 178, 179

                  trade secret law and, 80

      [281]

      computers, 74-97

                  compatibility of, 83-85

                  hardware for, 74-76

                  workings of, 74-79, 74, 75

                  see also  computer programs

      Computer Software Rental Amendment (1990), 92-93

      Congress, U.S., 4, 97, 139, 199, 227, 234, 248, 250

                  First, 14-15, 17, 251

                  home videotaping and, 68-69

                  Internet and, 111-12

                  petitioned for copyright protection by British authors, 231-32

                  sound recordings and, 46-47, 229

                  see also  House of Representatives, U.S.; Senate, U.S.; specific acts and amendments

      Connecticut, 18

      Constitution, U.S., 15, 84, 139, 204, 251

                  First Amendment to, 16, 248

                  on writings, 13-14, 137

      contracts, 225-26

      contributory copyright infringement, 111, 177

      contributory liability of on-line service providers, 115-17

      CONTU (National Commission on New Technological Uses of Copyright Works), 24-25, 82-83, 85, 91

      Cooper, James Fenimore, 231, 234

      copying, 151, 167

      copyright:

                  common law, 222-23

                  duration of, 119, 183, 205-07, 229, 238, 240, 245, 250

                  exclusive rights of, 14, 123, 146, 166-71

                  limitations on, 6, 180-204

                  remedies under, 171-79

                  rights granted in, 151-79

                  technology and, 3-5, 9-124

                  termination of, 216-29, 229

                  works protected under, 131-50

                  work vs. physical object in, 212-13

                  see also specific topics

      copyrightability, 190

      Copyright Act of 1790, 14-17, 30, 131-33, 167-68, 172, 205, 230-32, 236

      Copyright Act of 1909, 55, 66, 135-36, 142, 168, 173, 174, 184, 205-06

      Copyright Act of 1976, 91, 241-42, 245

                  art reproductions under, 136

                  cable television under, 65-66, 184

                  choreographic works under, 145

                  compulsory license under, 38-39, 66

                  computer programs under, 81-82, 84-85, 89, 92-93, 144

                  Conference Report on, 127-28

                  duration under, 206, 208, 245

                  fair use under, 192

                  formalities under, 209

                  infringement under, 173, 177

                  literary works under, 131

                  music and sound recordings under, 38-39

                  photocopying under, 23-24, 25-26, 27, 29, 114

                  property rights under, 212-13

                  public display under, 169

                  radio performances under, 182

                  section 102 of, 84-85

                  section 106 of, 89

                  section 107 of, 25, 27, 29

                  section 108 of, 23-24, 25-26, 114

                  section 109 of, 92-93

                  state law and, 229

                  termination in, 217

      copyright amendments:

                  of 1802, 133, 137, 172

                  of 1819, 172-73

                  of 1831, 136, 175, 205

                  of 1856, 59, 61, 172, 205

                  of 1865, 61, 136

                  of 1870, 133, 140, 168, 172

                  of 1891, 136, 140, 234-38, 242

                  of 1895, 172

                  of 1897, 173, 181

                  of 1912, 61, 143

                  of 1964, 144

                  of 1971, 55

                  of 1978, 222-23, 225

                  of 1980, 72, 76, 88-89

                  of 1984, 55

                  of 1988, 177, 209

                  of 1990, 92-93

                  of 1992, 55

                  of 1994, 170, 171, 223

                  of 1995, 169

      [282]

      copyright amendments (continued)

                  of 1999, 214

                  see also specific acts and amendments

      Copyright Clearance Center (CCC), 28-29, 178-79

      copyright management information, 112-15, 124, 170-71

      Copyright Office, 144, 177, 208, 210-11, 211, 212-13

      copyright protection systems, 112-15, 124, 170

                  and computer software, 80, 89, 118-19

                  for VCRs, 177-78

                  for videotapes, 114-15; see also macrovision

      Corbis, Inc., 135

      Corel, Inc., 134-35

      Cornell, Katharine, 154

      corporations, as copyright owners, 213

      Cosmos  (Sagan), 12-13

      Cosmo’s Factory  (Creedence Clearwater Revival), 176

      costs of lawsuit, 175-76

      Courier Lithographing Co., 141-42, 141

      Court of Claims, 22-23, 30

      Cowie, Alexander, 139

      CPU (central processing unit, 74-75

      Crawford, Joan, 154, 154, 174

      Creative America, 250-51, 267n

      Creedence Clearwater Revival, 175, 176

      criminal liability, 173-74

      Csida, Joseph and June Bundy, 140, 258n

       

      Daly, Augustin, 139

      Daly v. Palmer, 59-60, 259n

      damages, 176

                  actual, 246

                  statutory, 177, 246

      dance, 144-45, 168

      “Dardanella,” 163-64, 163, 165

      databases, 188

      Davis, James, 22

      Day-Brite Lighting Company, 227

      DeCosta, Victor, 228

      DeCosta v. Columbia Broadcasting System, Inc., 228, 266n

      Dees, William, 200

      defamation, 226

      Defense Department, U.S., 101-2

      de Forest, Lee, 39-40, 41

      Demetriades, Chris, 146

      Demetriades v. Kaufmann, 146, 146, 262n

      DeMille, Cecil B., 181

      deposit requirement, 131, 210-11, 212, 213, 236, 237, 238

      Depression, Great, 40, 62, 63, 238

      derivative works, 151, 168, 217, 251

                  World Wide Web links as, 123

      design patent, 185, 219

      Detective Comics, Inc. v. Bruns Publishing, Inc., 148, 262n

      Diamond Multimedia Systems, 50-51

      Dickens, Charles, 232, 233, 234, 238

      Dickson, W.K.L., 60

      Diddley, Bo, 166

      Digimarc, 113

      digital audiotape recorders, 49-50, 185

      digital audio transmissions, 51-54, 169, 185

      digital cameras, 93

      Digital Millennium Copyright Act (1998), 25, 54, 55, 71-72, 109-20, 123-24, 245, 246, 251

                  boat hull provision of, 147

                  copy protection under, 170, 177-78

                  copyright management information under, 170-71

                  on-line service providers and, 177, 178

      Digital Performance Right in Sound Recordings Act (1995), 52-54, 52-53, 55

      digital “signatures,” 113

      digital technology, television and, 72, 73

      digital “watermarking, 113, 113

      Dillinger, John, 190

      Dillinger Dossier, The  (Nash), 190

      Dime Detective, 217

      Dior, Christian, 187

      discretionary remedies, 172, 176-77

      Dishonored Lady, 154-55, 154

      distribution, 151, 167-68

      Donaldson Lithographing Co., 141

      Don Quixote  (Cervantes), 14

      DOS 86-87

      Douglas, William O., 80

      “Do You Want to Dance?,” 227

      drama, 139-40, 144, 173

                  public performance of, 168, 181

      Drawing Hands  (Escher), 247

      [283]

      drawings, 140-43

      Dr. Seuss Enters., LP v. Penguin Books USA, Inc., 193, 195, 264n

      duration of copyright, 119, 183, 205-07, 229, 238, 240, 245

       

      Eastman, George, 56, 138, 139

      Echo of Lions  (Chase-Riboud), 152-53

      Edison, Thomas, 32-33, 33 56, 57, 60, 61

      Edison Licensee Group, 57

      educational institutions, nonprofit performances by, 182

      educational photocopying, 20, 25-27, 200

      Edward, Gus, 32

      Elder, Bill, 198

      Electronic Frontier Foundation, 111

      Eleventh Amendment, 216

      Ellsworth, William W., 15

      Elsmere Music, Inc. v. National Broadcasting Co., 192, 264n

      e-mail, 104-5, 105, 106, 116

                  digital files attached to, 105

                  mailing lists on, 104-5

      Emerson, Ralph Waldo, 231

      encoding, 170

      encryption, 110, 112

      England:

                  copyright law in, 11-14, 16, 135, 171-72, 205, 248

                  international copyright in, 231, 232

                  see also  authors, British

      engravings, 134-35, 141

      entry points, 84

      equity, fair use in, 193

      Erlanger, Abraham, 58-59

      Escher, M.C., 247, 247

      E.T. The Extra-Terrestrial, 152

      European Particle Physics Laboratory (CERN), 107

      European Union, 188

      Evans, Roy, 251

      Eventide  (Taylor), 145

      exclusive rights, 14, 123, 146, 166-71

      extension of copyright term, 183, 208, 250

       

      fact-expression distinction, 161, 187-88, 248

      Factors Etc., Inc. v. Pro Arts, Inc., 226, 266n

      Fairness in Music Licensing Act (1998), 183, 207

      fair use, 29, 30, 119, 190-92

                  copyright and educational, 25-26

                  as equitable doctrine, 193

                  in Ford memoirs case, 155, 204

                  parody as, 164, 192-99

                  in photocopying, 20, 21-23

                  and public policy, 199-204

                  VCRs and, 67-68

      Faraday, Michael, 98

      Fast Forward: Hollywood, the Japanese, and the VCR Wars  (Lardner), 71

      FBI warnings, 173

      Federal Communications Commission, 72

      Federal Hall, 17

      Federalist Papers, The, 14

      federal laws, state laws preempted by, 227-29

      Feist Publications, Inc. v. Rural Telephone Service Co.,  129-30, 131, 187-88, 261n

      Field, Cyrus, 99

      File Transfer Protocol (FTP), 106, 107

      Filmvideo Releasing Corp. v. Hastings, 149, 262n

      Filo, David, 109, 110

      fine arts standard, 140-43

      First Amendment, 16, 248

      first sale doctrine, 48, 92, 167-68, 169, 180

                  audio exception to, 69

                  computer software and, 92-93

                  video rentals and, 69-70, 71

      “First Time I Saw Maris, The,” 192, 197

      First Trust Co. of Saint Paul v. Minnesota Historical Society, 215, 265n

      fixation, 127, 170, 190, 208-11, 222-23, 246

      fixed fines, 172

      Fleming, George, 61

      Florida Prepaid Postsecondary Educ. Expense Bd. v. College Savings Bank, 265n

      Fogerty, John, 175-76, 176

      Fogerty v. Fantasy, Inc., 175-76, 176, 263n

      Ford, Gerald R., 155, 204

      Ford Motor Co., 227

      forfeiture of infringing copies, 171-72

      formalities, 208-11, 229, 236-38, 238, 240, 242, 245-46

      [284]

      “for profit” performances, 41-43

      Fortas, Abe, 64, 65

      Fortnightly Corporations, 65-65

      Fortnightly Corp. v. United Artists T.V., Inc., 63-65, 259n

      Foster, Stephen, 32

      Fourneaux, Henri, 33

      Fox News, 120-22, 121

      framing technology, 121-22

      France, 247

      Franklin Ace 100, 83

      Franklin Computer Corporation, 84-85

      Fred Fisher, Inc. v. Dillingham, 163-65, 163

      Fred Fisher Music Co. v. M. Witmark & Sons, 265n

      Freed, Les, 86

      French, Richard, 31

      From Here to Obscurity, 192, 193-94, 196

      FTP (File Transfer Protocol), 106, 107

      fund-raising events, 182

       

      Gainsborough, Thomas, 134-35, 134

      Gallery of the Louvre, The  (Morse), 133

      Gaslight, 192, 193, 196

      Gates, Bill, 86

      Geibel, Adam, 34

      General Agreement on Tariffs and Trade (GATT), 243-44

      Genesis (Sega), 201-2

      Gershwin, George, 35

      Gershwin Plays Gershwin: The Piano Rolls, 35

      “Get Back,” 164

      “Get Up and Go,” 164

      Gilbert, W.S. 232-34, 235, 236-37

      Gilliam v. American Broadcasting Cos.,  225, 265n

      Girl Scouts, 182, 182, 183

      Global Information Infrastructure (GII, 110

      Godfather, The, 195

      Goldwyn, Samuels, 63

      Goldwyn Pictures, 59

      Gone With the Wind  (Mitchell), 243

      “Go Now,” 41

      Goodrum, Charles A., 131, 210, 212, 213

      Goodyear, Charles, 99

      Goodyear Tire  Rubber Company, 227

      Goofy, 186

      Gopher, 106, 107

      Gottschalk, Robert, 80

      Gottschalk v. Benson, 80, 260n

      government works, 131, 160, 215-16

      Govezensky, Patricia, 223

      Grand Canyon, The  (Samuels), 160

      graphical user interface, 86-88

      Gray, Elisha, 129

      Great Britain, see  authors, British; England

      Great Escape, The, 195

      Great Wallace Shows, The, 141-42, 141

      Greenstreet, Sydney, 147

      Gutenberg, Johann, 11

       

      Hamburglar (char.), 158

      Hamilton, Alexander, 15

      Hammett, Dashiell, 147-49

      Hand, Learned, 128, 147, 153-55, 156-57, 163-64, 188, 189, 261n

      handicapped persons, 182

      Hand of God  (Rodin), 142-43, 143

      hard drive, 75

      Harper & Row, 203-4

      Harper & Row Publishers, Inc. v. Nation Enterprises, 155, 203-4, 262n, 264n

      Harper Brothers, 58-59

      Barris, Charles, 32

      Harrison, George, 162-64

      Hawthorne, Nathaniel, 231, 234

      Hayes, Rutherford B., 33

      HDTV (High Definition Television), 72, 73

      Hedwig, Ula, 227

      Henry, Joseph, 33, 98-99, 99, 100, 241

      Herbert, Victor, 41, 42, 44

      Herbert v. Shanley, 41-43, 259n

      Hersey, John, 84

      “He’s So Fine,” 162-64, 163, 164, 165

      Hewlett-Packard, 86

      Heylin, Clinton, 171

      High Definition Television (HDTV), 72, 73

      high schools, 182

      Hindenburg  disaster, 189, 189

      H.M.S. Pinafore, 232, 235, 235

      Hoehling, A.A., 189

      Hoehling v. Universal City Studios, Inc., 189, 264n

      Hogarth Act (1735(, England, 135

      [285]

      Holmes, Oliver Wendell, 41, 43, 58-59, 128, 141-42, 261n

      Home Box Office, 66

      House of Representative, U.S., 17, 19, 25-26, 92, 192, 217

      “How Deep is Your Love,” 165, 165

      H.R. Pufnstuf, 157-59, 158

      HTML (Hypertext Markup Language), 107

      HTTP (Hypertext Transfer Protocol), 107, 108

      Hugo, Victor, 234

      hyperlinks, 108

      hypertext, 108

       

      IBM computers, 86

      Ice Capades, 159

      icons, 86

      idea-expression distinction, 119, 155, 188-89, 225-26

      Idle, Eric, 164

      Illegal Beatles, 170

      “I Love New York,” 192

      “I Love Sodom,” 192

      independent contractors, 214-15, 218

      independent creation, 160

      industrial designs, 186

      Information Infrastructure Task Force, White Paper by Working Group of, 110-12, 114, 116, 118, 119, 246

      infringement:

                  of computer programs, 88-89

                  contributory, 111, 177

                  by on-line service providers, 111

                  profits in, 164

                  by states, 216

                  willful, 173, 177

      injunctions, 172-73

      input devices, 76

      instant messages in, 103, 104

      instrument of conveyance, 212

      integrity, right of, 169

      intellectual property, 221-22

                  contracts and, 225

      Intellectual Property and Information Infrastructure  (White Paper), 11-12, 114, 116, 118, 119, 246

      Intel Pentium CPU chip, 89

      interactive digital subscription services, 53

      interlibrary loan system, 24

      intermediate copyright, 201-2

      International Agreement on Trade-Related Aspects of Intellectual Property (1994), 97

      international copyright, 140, 230-48

                  see also  Berne Convention; WIPO

      International Copyright Act (1838), England, 232

      Internet, 3, 4, 67, 76, 101-24, 130, 138, 248

                  birth of, 101-2

                  chat rooms, 102

                  digital audio transmissions on, 51-54, 52

                  intellectual property protection on, 108-11

                  MP3 files on, 50-51

                  nature of information on, 249

                  service providers, see  on-line service providers

                  “streaming” audio on, 52, 53-54

                  transferring files on, 106

                  uses of, 102-4

                  video images on, 103-4

                  World Wide Web on, 103, 107-8, 110

      Internet Explorer, 108

      Internet Relay Chat (IRC), 102

      Iolanthe, 232-33

      Iolanthe  case, 233, 266n

      Irving, Washington, 231, 234

      “It Had to Be Murder” (Woolrich), 217

       

      Jackson, Doris, 40

      Japan, 243

      Java, 108

      Jefferson, Thomas, 5, 15, 16, 215

      Jerome, William, 42

      Jobs, Steve, 86

      joint authorship, 214

      jukeboxes, 184

      Jurassic Park, 152

      Justice Department, U.S., 108

       

      Kalem Company, 57-60

      Kalem Co. v. Harper Bros., 57-60, 259n

      “Kalua,” 163-64, 163

      Kapor, Mitch, 111

      Kastenmeier, Robert, 26

      Kelly, grace, 217

      Kempelman, Max, 234

      Kennedy, John F., 143-44, 202

      “Kentucky Babe,” 34, 35

      [286]

      Kern, Jerome, 163-64

      Key, Francis, Scott, 31

      “killer app,” 108

      kinetograph, 56, 57

      kinetoscope, 56, 57

      King Features Syndicates v. Fleischer, 148, 262n

      King of Kings, 181

      Kinko’s Graphics Corporation, 27-28

      Kisch, John Duke, 161, 161

      Kisch v. Ammirati & Puris, Inc., 161, 161

      Klaw, Marc, 58-59

      Klein, Allen, 164

      Kodak box camera, 138

      Koons, Jeff, 192-93, 194

      Kreusi, John, 33

      Krofft, Sid & Marty, 157-59, 158

      Kurtzman, Harvey, 198

       

      labanotation, 145, 145

      Lanham Act, 224, 225

      Lardner, James, 68-69, 71

      “Last Time I Saw Paris, The,” 192, 197

      Latman, Alan, 27

      lawsuits, costs of, 175-76

      L. Batlin & Son v. Snyder, 143-43, 142, 262n

      Leary, Denis, 109

      Lehman, Bruce, 112

      Leibovitz, Annie, 192, 193

      Leibovitz v. Paramount Pictures, 192, 193, 264n

      Lennon, John, 38, 39, 163

      “Let It End,” 165

      Letty Lynton, 154-55, 154, 174-75

      Lewis, Meriwether, 131, 215

      Librarian of Congress, 114

      Library of Congress, 131, 210-11, 210, 212, 213

      library photocopying, 20-25, 115, 117, 180, 200

      licensing, 86-88, 124, 134, 159, 166

      Lieber, Jerry, 41

      Life, 203

      Life of An American Fireman, 61

      limitations to copyright, 6, 180-204

                  compulsory licenses, see  compulsory licenses

                  fact-expression distinction, 161, 187-88, 248

                  fair use, see  fair use

                  idea-expression distinction, 119, 155, 188-89, 225-26

                  nonprofit musical performances, 181-82, 183

                  parody, 164, 191, 192-99

                  radio musical performances in restaurants and small businesses, 182-84

                  works of utility, see  works of utility

      Lincoln, Abraham, 137

      linking license, 122

      Litchfield, Lisa, 152

      Litchfield v. Spielberg, 152-53, 262n

      literary works, computer programs as, 81-82, 85, 144

      lithographs, 134

      “Little Cotton Dolly,” 34

      live musical performances, 170, 223, 246

      Loew’s theaters, 175

      Lolita  (Nabokov), 149

      Longfellow, Henry Wadsworth, 2331, 233, 234

      Lorre, Peter, 147

      Lo’s Diary  (Pera), 149, 149

      lost profits, 172

      Lotus 1-2-3, 111

      Lotus Domino, 109

      Louis B. Mayer Co., 175

      Lubar, Steven, 47, 67

      Lubin, Sigmund, 61

      Lurie, John, 161, 161

      Lynch, Charles, 43

       

      McCartney, Paul, 38, 39, 163

      McDonald’s Corp. 157-59, 158, 222

      Macintosh computers, 86-87, 87, 88

      Mack, Ronald, 162-63

      macrovision, 71-72

      McSleep, 222

      MAD  Magazine, 192, 197-99, 198

      Madison, James, 14, 15

      Maltese Falcon, The  (Hammett), 147-49

      Maltese Falcon, The  (movie), 147, 149

      Manfred Mann, 40

      manufacturing clause, 236-37, 238-40, 241, 242, 244, 245

      maps and charts, 131-33, 135

      Marconi, Guglielmo, 62, 63

      MarcSpider, 113

      [287]

      Martin Chuzzlewit  (Dickens), 233

      Martin Weiner Corp., 156-57

      Marx, Groucho, 220

      Marx Brothers, 220

      mask works, 89-91, 90

      Massachusetts, 18

      Mayer, Alfred, 98

      Maynard, Joyce, 212

      Mayor McCheese (char.) 158, 159

      MBone (Multicast Backbone), 104

      MCA, 217

      Melville, Herman, 231, 234

      memory unit, 75

      Metro-Goldwyn-Mayer, 59, 175

      Metro-Goldwyn Pictures, 154, 175

      mezzotint engravings, 134-35

      Michaels, Lorne, 164

      Michigan, University of, 28

      Michigan Document Services, Inc., 28

      Mickey Mouse (char.), 148, 186, 195-99, 198

      Microsoft, 135, 221

                  Apple’s licensing agreement with, 86-88

                  as monopoly, 87, 108, 222

      midis (musical interface devices), 95

      Midler, Bette, 227

      Midler v. Ford Motor Co., 227, 266n

      Mikado, The, 233-34, 235-36

      Millennium Initiative, 250-51

      Miller, John, 240

      Miller, Samuel, 137

      Minnesota, University of, 106

      Mitchell, Margaret, 243

      monopoly, 12

                  copyright as, 14, 222, 247, 248

                  Microsoft as, 87, 108, 222

      Montgomery, Robert, 154, 174

      Monty Python’s Flying Circus, 225

      Moody Blues, 41

      Moon for the Misbegotten, A  (O’Neill), 218

      Moore, Demi, 192, 193

      moral rights, 169, 240, 245, 247-48, 251, 252

      Morello, Joe, 161-62, 162

      Morris, Howard, 196

      Morrison, Herb, 189

      Morse, Samuel F.B., 15, 98-99, 99, 100, 133

      Moscow on the Hudson, 157, 157

      MOS Technology, 86

      Mostek 6502 chip, 83, 86

      Motion Picture Association of America, 66

      Motion Picture Patents Company, 57

      motion pictures, movies, 56-61, 73, 143-44, 174, 225-26

                  as derivative works, 217

                  piracy of, 241

                  public performance of, 168

                  rights for, 175

                  soundtracks of, 183

                  substantial similarity in, 152-55

                  on television, 63

                  theaters, 183

                  work-for-hire doctrine and, 214

                  see also  videocassette recorders; videotapes

      Motorola 6800, 86

      Moyer, Alfred, 98

      MP3 files, 50-51, 120

      Mulford, Clarence, 149, 166

      Multicast Backbone (MBone), 104

      multicasting, 104

      Muppets, 194

      Murrow, Edward R., 113

      museums, public domain issues for, 134-35

      music, 31-44, 136, 173

                  as accompaniment, 41-43

                  downloading of, 118, 120

                  publication of, 232

                  sheet, 32, 136

                  substantial similarity in, 162-66

                  videos, fixation and trafficking in, 170

      musical performances, 136, 168-69

                  copyright of live, 170, 223, 246

                  nonprofit, 181-82, 183

      music publishers, 31, 32, 34-37, 44

      Music Publishers’ Association, 37

      Musser, Charles, 61

      M. Witmark & Sons v. L. Bamberger & Co.,. 43, 259n

      M. Witmark & Sons v. Pastime Amusement Co., 181, 263n

      “My Sweet Lord,” 162-64, 163, 164

       

      Nabisco, Inc., 221

      Nabokov, Dmitri, 149

      Nabokov, Vladimir, 149

      Naked Gun 33-1/3, 192, 193

      Napster, 51, 120

      Nash, Jay, 190

      Nash v. CBS, 190

      Nation, 155, 204

      National Archives, 144

      National Commission on New Technological Uses of Copyright Works (CONTU), 24-25, 82-83, 85, 91

      National Conference of Commissioners on Uniform State Laws, 215-16

      National Geographic Society, 62

      National Information Infrastructure (NII), 110, 112

      National Institutes of Health, 20-22, 21, 30

      National Library of Medicine, 20-22

      National Semiconductor Corporation, 75

      National Television System Committee (NTSC), 72

      natural rights, 247-28

      NBC, 62

      Needham, Harper & Steers, 159

      Netherlands, 243

      NET (No Electronic Theft) Act, 173

      net profits, 175

      Netscape Communications, 107, 109

      New Hampshire, 18

      newsgroups, 105-06, 105, 107

      New York City Transit Authority, 132

      New Yorker, 157, 157

      New York Law School, 27

      New York subway system, 132

      New York Times, 213-14, 236

      New York University (NYU), 26-27, 177-78

                  School of Law of, 27

      Nichols, Anne, 153

      Nichols v. Universal Pictures Corp., 152-54, 188, 189, 262n, 264n

      Nielsen, Leslie, 192, 193

      Night in Casablanca, A, 220

      NII (National Information Infrastructure), 110, 112

      Nintendo, 93, 201

      Ninth Circuit Court of Appeals, 67-69, 147-50

      Nixon, Richard M., 155

      No Electronic Theft (NET) Act, 173

      nondisclosure agreements, 223

      nonprofit musical performance, 181-82, 183

      nonprofit performances, 168

      notice, copyright, 130 177, 209, 236, 237, 238, 240-41, 242, 245

      novelty (patent standard), 128, 186

      NTSC (National Television System Committee), 72

      NYNEX, 130

       

      object code, 76-78

                  as work of utility, 85

      O’Connor, Sandra Day, 188, 204, 261n

      Odie (char.), 194

      Office of Technology Assessment, 85

      Ogden, Perry, 161, 161

      “Old Man Down the Road, The,” 175-76

      O’Neill, Eugene, 218

      on-line service providers, 112

                  copyright infringement and, 111

                  Digital Millennium Copyright Act and, 177, 178

                  limitation of liability for, 115-17

      operating systems, computer, 83-85, 108

                  Macintosh 86-87

      Orbison, Roy, 199, 200

      originality, 127-30, 180, 188, 190, 202, 221

                  for maps and charts, 131-33

                  in paintings, drawings and sculpture, 141-43

                  of photography, 137-39

                  standard for reproductions, 133-35

                  and Zapruder film, 144

      Ott, Fred, 60

      output devices, 76

      ownership of copyright, 212-16, 249-50

       

      Pac-Man, 78, 79, 148

      Painter, Uriah, 33

      paintings, 140-43, 172

      Paladin (char.), 228

      Palmer, Robert, 166

      Paragould Cablevision, Inc., 64

      Paramount Pictures, 226

      Parliament, 12-13

      parody, 164, 191, 192-99

      PASCAL, 77

      passwords, 112, 118

      patent, 128-29, 219, 223, 224, 227

                  computer programs and, 80-81

      [289]

      patent (continued)

                  higher standard of, 128, 186

                  law, works of utility and, 185-86

      pedestal chair, 186

      Pera, Pia, 149

      performance rights, see  public performances

      Peter Pan Fabrics, Inc., 156-57

      Peter Pan Fabrics, Inc. v. Martin Weiner Corp.,  155, 156-57, 156, 187, 262n

      Philadelphia Centennial Exposition (1876), 33

      phonograph records, 46, 46, 47-48, 92, 144

      phonographs, 32-33, 36

      phonorecord compulsory license, 180, 184

      phonorecord symbol, 45

      photocopying, 17-30, 18

                  business, 20, 27-29

                  casual, 29-30

                  educational, 20, 25-27, 200

                  fair use, 20, 21-23

                  library, 20-25, 114, 177, 180, 200

      photographs, 60, 61, 136-39, 136, 140, 247-48

                  as art form, 137

                  fixed fines for, 172

                  substantial similarity in, 159-62

      Photoshop, 113

      piano rolls, player pianos, 33-37, 34

      Pink Floyd, 171

      piracy, 241

                  of British books, 240

                  of computer software, 173, 178, 241

                  see also  bootlegging

      Pirates of Penzance, The, 232

      plaintiffs, attorneys’ fees and, 175-76

      plays:

                  dramatic rights, 58-60

                  substantial similarity in, 152-55

      Playstation, 93

      Poe, Edgar Allan, 231

      Pong, 78, 79

      Power Goo, 96

      preemption doctrine, 146-47

      President’s Committee on the Arts and Humanities, 250-51, 267n

      Presley, Elvis, 226

      Preston, Billy, 162

      “Pretty Woman,” 199, 200

      Princeton University Press v. Michigan Document Services, 28, 258n

      printing presses, 10, 11-17

      prints, 133-36, 172

      privacy, right of, 226

      profits:

                  allocation of, 174

                  in copyright infringement cases, 164

                  infringer’s, 174-75

                  lost, 174

                  net, 175

      programming language, 77

      property right, copyright as, 6, 13-14, 212, 247, 248

      public display, 151, 169

      public domain, 119, 246, 248

                  museums and, 134-35

                  technicalities and, 209

      publicity, right of, 226, 227

      public performances, 151, 168-69, 170, 173, 250

                  of digital sound recordings, 52-54, 52-53, 55

                  of drama, 168, 181

                  “for profit,” 41-43

                  of motion pictures, 168

                  musical, 136, 168-69, 170, 223, 246

                  nonprofit, 168

                  nonprofit musical, 181-82, 183

                  radio, in restaurants and small businesses, 182-84

                  of sound recordings, 168

      public policy, fair use and, 199-204

      publishers, 14, 16-17, 115, 166, 213, 225, 242

                  copyright registration and, 211

                  and international copyright, 235-37, 239

                  music, 31, 32, 34-37, 44

      Pufnstuf (char.), 158, 159

       

      Quality Inns, 222

      Quality Inns International, Inc. v. McDonald’s Corp., 222, 265n

       

      radio, 39-44, 62, 63, 115, 138, 181, 248

                  noncommercial, 184

                  in restaurants and small businesses, 182-83

      [290]

      Radio Corporation of America, 62

      Raiders of the Lost Ark, 152

      random access memory (RAM), 75, 117

      Rawlings, Marjorie Kinnan, 243

      Ray Dream Studio, 96

      read-only memory (ROM), 75-76, 85

      Reagan, Ronald, 244

      Real Player, 52

      Rear Window, 217

      record companies, 45, 51, 55

                  Internet and, 110

      Recording Industry Association of America (RIAA), 50-51, 120

      Recording Industry Association of America v. Diamond Multimedia Sys., Inc., 50-51, 259n

      Record of a Sneeze, 60

      records, see  phonograph records

      Reeves, Shirley, 40-41

      registration, copyright, 177, 209-10, 211, 241, 242, 245, 246

      Reid, James Earl, 214

      Reiner, Carl, 196

      religious institutions, 182

      remedies, 171-79

                  attorneys’ fees, 175-76

                  costs of lawsuit, 175-76

                  criminal liability, 173-74

                  discretionary, 172, 176-77

                  fixed fines, 172

                  forfeiture of infringing copies, 171-72

                  infringer’s profits, 174-75

                  injunctions, 172-73

                  lost profits, 172, 174

      renewal of copyright, 205, 206, 216-18

      rental:

                  of computer games, 93

                  of computer programs, 92-93, 168, 244

                  of sound recordings, 47-48, 92, 168, 244

                  of videotapes, 69-72, 244-48

      restaurants, 41, 181

                  radio in, 182-83

      restoration of copyright, 246, 247

      reverse-engineering, 223, 224

      Rhode Island, 18

      RIAA (Recording Industry Association of America), 50-51, 120

      Riley, Pat, 221

      Ringer, Barbara, 230

      Rio, 50, 120, 259n

      Robertson, Archibald, 17

      robots, 107

      Rock and Roll, 40

      Rodin, Auguste, 142-43, 143

      Rogers, Art, 193, 194

      Rogers v. Koons, 192-93, 194, 264n

      ROM (read only memory), 75-76, 85

      Romm Art Creations, Ltd. v. Simcha Int’l, Inc., 223, 265n

      Roosevelt, Franklin D., 62

      “Run Through the Jungle,” 175-76

      Rutles, 164

       

      Saarinen, Eero, 185

      Sagan, Carl, 12-13

      Salinger, J.D., 212

      Samuels, Claire, 96

      Samuels, Marcia, 163

      Sanka, 221

      Sarnoff, David, 62

      Sarony, Napoleon, 137-39, 137

      Saroyan, William, 218

      Saroyan v. William Saroyan Foundation, 218, 265

      satellite dishes, 66-67, 120

                  compulsory license for, 185

      satellites, communications, 100, 101

                  television signals and, 64, 66-67

      Saturday Night Fever, 165

      Saturday Night Live, 164, 192, 225

      Scanlon, Jim, 193

      scanners, image, 93

      scanning, 61-63, 61

      “School Days,” 32

      Schrader, Paul, 152

      Scientific American, 33, 75

      Scott, Walter, 231, 232, 234

      sculpture, 140-43

                  and chair, 185

      Sears, Roebuck & Co., 36, 227

      Sears, Roebuck & Co. v. Stiffel Co., 227, 266n

      Sears-Compco  doctrine, 227-29

      Second Circuit Court of Appeals, 189

      Secure Digital Music Initiative, 51

      Sega, 200-202

                  Genesis game system of, 201-2

      Sega Enterprises, Ltd v. Accolade, Inc., 200-202, 264n

      [291]

      Seinfeld, 191

      Selle, Ronald, 165

      Selle v. Gibb, 165, 165, 264n

      Semiconductor Chip Protection Act (1984), 91-92, 118

      semiconductor chips, 89-92, 90

      Seminole Tribe of Fla. v. Florida, 265n

      Senate, U.S., 15, 17, 231

      Serial Copy Management System, 50

      SESAC, 43

      Sesame Street, 129

      settlements, 175

      Seuss, Dr., 193, 195

      Shakespeare, William, 188

      “Sha-La-La”, 40

      Shales, Tom, 69

      Shanley’s Restaurant, 41, 42

      sheet music, 32, 136

      Sheldon, Edward B., 154, 175

      Sheldon v. Metro-Goldwyn Pictures Corp., 128, 154-55, 174-75, 261n, 262n, 263n

      Shirelles, 40-41

      Shredded Wheat, 221

      Sid & Marty Krofft, 157-59, 158

      Sid & Marty Krofft Television Productions, Inc. v. McDonald’s Corp., 157-59, 158, 263n

      silent movies, musical accompaniment for, 181, 181

      Simon & Simon, 190

      Simpson, O.J., 193, 195

      Simpsons, The, 194

      Sinatra, Frank, 196

      Sinatra, Nancy, 227

      Sinatra v. Goodyear Tire & Rubber Co., 227, 266n

      Six Seconds in Dallas  (Thompson), 202-3, 203

      small businesses, radio in, 182-83

      Smalley, Bion, 23, 190

      Smith, Madeleine, 154-55

      Snape, Dale, 71

      Snyder, Jeffrey, 142

      Sobel, Lionel, 204

      software, see  computer programs

      song parodies, 192, 197, 199

      songs, Revolutionary war, 31

      Sonny Bono Copyright Term Extension Act (1998), 207, 208

      Sony Corp. of America v. Universal City Studios, 67-69, 115, 177, 200, 259n, 264n

      Sony Corporation, 67-69, 115, 177, 200, 201

      sound recordings, 44-55, 118, 144, 229, 246, 247-48, 250

                  Congressional statute protecting (1972), 44-45

                  digital performance rights in, 52-54, 52-53, 55

                  digitized, 45-47, 47

                  fixation and trafficking in, 170

                  piracy of, 241

                  public performance of, 169

                  rental of, 47-48, 168, 244

                  work-for-hire doctrine and, 214

                  see also  audiotapes,; compact discs; phonograph records

      Sound Recordings Protection Act (1971), 144, 171, 229

      source code, 76-77

      Sousa, John Phillip, 42, 233, 235

      Soviet Union, 248

      Spade, Sam (char.), 147-49

      Spark Plug (char.), 148

      Spehl, Eric, 189

      spiders, 107

      Spielberg, Steven, 152-53

      Spiller, Robert, 231, 240

      Spofford, Ainsworth, 212

      Spy, 193

      Stanford University, 101

      Stanwyck, Barbara, 196

      Star computer, 87, 88

      “Star-Spangled Banner, The,” 30

      state laws, 222-29

                  ant-dilution, 222

                  common law copyright, 222-23

                  contracts, 225-26

                  defamation, 226

                  federal preemption of, 227-29

                  right of privacy, 226

                  right of publicity, 226, 227

                  trade secrets and, 223, 224-25

                  unfair competition, 223-24, 228

      states, copyright infringement by, 216

      Stationers’ Company, 11-12, 14

      Stationers’ Licensing Acts, 12, 16-17

      statues, 172

      [292]

      Statute of Anne (1710), (England), 11-13, 13, 16, 171-72, 205

      statutory damages, 177, 246

      Steinberg, Saul, 157, 157

      Steinberg v. Columbia Pictures Industries, 157, 262-63n

      Stewart, Jimmy, 217

      Stewart v. Abend, 217, 265n

      Stiffel Company, 227

      Stoller, Mike, 41

      storage unit, for computer memory, 75

      Stowe, Harriet Beecher, 139-40, 140, 231, 234

      “streaming” audio, 52, 53-54

      String of Puppies  (Koons), 192-93, 194

      substantial similarity, 143, 151-67, 190, 191

                  access and, 165-66

                  in advertising, 157-59, 161

                  of music, 162-66

                  in photographs, 159-62

                  of story lines, 152-55

                  in visual works, 155-59

      Sullivan, Arthur, 232-34, 235, 235, 235-37

      Sun Microsystems, 108

      Superman (char.), 148

      Super Mario Brothers, 78, 79, 93

      Super Mario 64, 78, 79

      Supreme Court, U.S., 155

                  on advertisements, 141-42

                  attorneys’ fees and, 175-76

                  on broadcast television, 64-65

                  on computer programs, 80

                  on dramatic works, 58-59

                  on fair use, 192

                  on “for profit” performances, 41

                  on home videotaping, 69

                  on liability of Betamax manufacturer, 200

                  on library photocopying, 22

                  on parody, 199

                  on photographs, 137-39

                  on piano rolls, 34-37

                  on preemption of state laws, 146-47, 227-29

                  on publishing excerpts, 204

                  on threshold of copyrightability, 128-30

                  on work for hire, 214

      Swift, Jonathan, 16

      synchronization licenses, 181, 183-84

      system caching, 116-17

       

      Tabbot, Arthur, 80

      Tarkay, Itzchak, 223

      Tarzan (char.), 148

      Taylor, Deems, 32

      Taylor, Paul, 145

      TCP/IP (transmission control protocol/Internet protocol), 104

      technology:

                  copyright and, 3-5, 9-124

                  examples of typical home 4-6

      Teledyne Systems Company, 75

      telegraph, 98-99, 99, 101

      telephone, 99-100, 100, 115, 129

      telephony, 103-4

      Teleprompter Corporation v. Columbia Broadcasting System, Inc., 65, 259n

      television, 61-66, 62, 72-73, 115, 181, 182-83, 225, 248

                  broadcast, 61-63, 62

                  cable, see cable television

                  movies on, 63

                  noncommercial, 184

                  rights, 166

      telnet, 106-7

      Telstar, 1, 100

      termination of copyright, 216-19, 229

      Texaco, Inc., 28, 29, 30

      textbooks, 241

      theatrical performance rights, 168, 181

      “These Boots Are Made for Walkin’,” 227

      Third Circuit Court of Appeals, 85

      Third World America  (Reid), 214

      Thompson, Josiah, 202-3, 203

      Thoreau, Henry David, 231

      “three-peat,” 221

      Time, Inc., 144, 202

      Time, Inc. v. Bernard Geis Associates, 144, 202-3, 203, 262n 264n

      Time-Life, 225

      Time to Heal, A (Ford), 155, 204

      “Tin Pan Alley,” 32

      Tocqueville, Alexis de, 231

      Tom the Dancing Bug, 207

      “Tonight Show, The,” 69

      TotalNEWS, 120-22, 121

      Tracy, George Lowell, 233

      trade dress, 223, 224

      trademark, 186, 220-22, 228

                  anti-dilution laws for, 222

      [293]

      trademark (continued)

                  notice, 219

                  unfair competition under, 224

      Trade Related Aspects of Intellectual Property Rights (TRIPS), 244, 245-46, 247

      trade secrets, 223, 224-25

                  computer programs and, 80

      trafficking, in sound recordings and music videos, 170

      Transactional Reporting Service (TRS), 28, 30

      translations, 140, 168

                  work-for-hire doctrine and, 214

      transmission control protocol/Internet protocol (TCP/IP), 104

      TRIPS (Trade Related Aspects of Intellectual Property Rights), 244, 245-26, 247

      Trollope, Anthony, 238-39, 239

      TRS (Transactional Reporting Service), 28, 30

      Twain, Mark, 101, 206-7, 208, 217, 232

      Twelfth Night  (Shakespeare), 188

      two-dimensional vs. three-dimensional depictions, 186, 187

      2 Live Crew, 199, 200

       

      UCC (Universal Copyright Convention) (1952), 209, 240-41, 244

      Uncle Sam mechanical bank, 142-43, 142

      Uncle Tom’s Cabin  (Stowe), 139-40, 140, 234

      unfair competition, 223-24, 228

                  expansion of, 186

      Uniform Commercial Code, 215-16

      United Artists Television, 63-64

      United Nations Educational, Scientific, and Cultural Organization (UNESCO), 240

      United States:

                  early copyright history in, 13-17

                  international copyright and, 140, 230-48

                  see also specific copyright acts, amendments, and conventions

      Universal Copyright Convention (UCC) (1952), 209, 240-41, 244

      Universal Resource Locator (URL), 107, 122, 123

      Universal Studios, 67, 153, 214

      unpublished works, 119-20, 222-23, 225, 232

      user IDs, 112, 118

      Utah, University of, 101

       

      Valenti, Jack, 71

      Vanity Fair, 192, 193

      Victor Talking Machine Co., 35

      video cameras, 61-63

      videocassette recorders (VCRs), 66-72, 115

                  Betamax, 49, 67-69, 71, 200

                  copy protection systems on, 114-15, 177-78

                  “time-shifting” and, 200

                  VHS, 49, 71

      videoconferencing, 103-4

      video games, 78-79, 78, 93

                  fair use and, 200-202

      video images, on Internet, 103-4

      video rentals, 47-48, 69-72, 244-45

                  computer games and, 93

      videos, music, fixation and trafficking in, 170

      videotapes:

                  FBI warning notice on, 173

                  home copying of, 70

                  impact on movie studios by, 70-72

                  piracy of, 173

      Village Vanguard, 161, 161

      VisiCalc, 83-84

      visual art, attribution and integrity in, 169

      visualization, 138

      visual works, 155-59

      von Tilzer, Harry, 42

      waivers, 225

      Wallace, Lewis, 57-58, 58

      Walt Disney Productions, 67, 192, 195-99, 198

      Walt Disney Productions v. Air Pirates, 192, 195-99, 198, 264n

      Warner Bros., 149, 220

      Warner Bros., Inc. v. Columbia Broadcasting System, 147-49, 262n

      Washington, George, 14-15

      Watson, Thomas, 129

      Wax, Carol, 135

      “webcasting,” 52, 53-54

      Web sites:

                  advertising on, 103, 117

                  author’s, 8

      [294]

      Web sites (continued)

                  blocked access to infringing, 178

                  of Copyright Clearance Center, 29

                  for Copyright Office, 211

                  for  Creative America, 267n

                  licensing and, 134

                  multimedia, 108

                  posting of chat room messages on, 103

                  updating of, 117

      Webster, Daniel, 15, 137

      Webster, Noah, 15

      Western Electric Co., 129

      White Paper, see  Information Infrastructure Task Force

      White-Smith Music Company, 34-37

      White-Smith Pub’g Co. v. Apollo Co., 34-36, 44, 258n

      Whitman, Walt, 231

      Wild Boy and Puppy  (Koons), 194

      Wilde, Oscar, 137-38, 137

      willful infringement, 177

      Williams, Geoffrey, 152

      Williams & Wilkins Company, 20, 22, 27

      Williams & Wilkins Co. v. U.S., 20-23, 27, 30, 257n

      William Saroyan Foundation, 218

      Williams v. Crichton, 152-53, 262n

      Willis, Bruce, 193

      Windows, 88, 221

                  3.0, 87, 87

      WIPO (World Intellectual Property Organization), 71, 111, 113, 116-17, 119, 225, 245, 246

      Wired  magazine, 111

      wireless communication, 62, 63

      Witchiepoo (char.), 158

      Women and Cafés  (Tarkay), 223

      Woolrich, Cornell, 217

      work-for-hire doctrine, 213-15, 218-19, 229

      works of utility, 87-88, 146, 185-86, 187

                  computer programs and, 81

                  object code as, 85

      World Intellectual Property Organization (WIPO), 71, 111, 113, 116-17, 119, 225, 245, 246

      World’s Fair (1939), 62

      World War II, 62, 63, 230, 238, 240

      World Wide Web, 103, 107-8, 110

      Wozniak, Steve, 86

      Writers Guild, 152

      writings, other, 131

      WTO (World Trade Organization), 170, 244, 245, 248

       

      xerography, 18

      Xerox (trade name), 221

      Xerox Corporation, 18, 87, 88

       

      Yahoo!, 109, 110

      Yang, Jerry, 109, 110

      Yearling, The  (Rawlings), 243

      Young & Rubicam, 227

      Your Show of Shows, 196

      “Yuppie Campaign, The,” 227

       

      Zacchini, Hugo, 226, 226

      Zacchini v. Scrips-Howard Broadcasting Co., 226, 226, 266n

      Zambito, Gary, 152

      Zambito v. Paramount Pictures, 152-53, 262n

      Zapruder, Abraham, 143-44, 202-3, 203

      Zeigfeld, Florenz, 40
       

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